With the high population density of cities and voracious appetite of the market for every square meter, it is not uncommon for urban vegetation to be forgotten. For this reason, forests, vegetable gardens, and vertical gardens have aroused much interest and figured into a variety of different innovative proposals. Using the vertical plane to maintain plants in an urban setting is a coherent and common-sense solution, especially when there is little possibility of bringing green to the level of the people on the streets.
museum of a rainforest. Image Courtesy of Ralph Appelbaum Associates
This article is the sixth in a series focusing on the Architecture of the Metaverse. ArchDaily has collaborated with John Marx, AIA, the founding design principal and Chief Artistic Officer of Form4 Architecture, to bring you monthly articles that seek to define the Metaverse, convey the potential of this new realm as well as understand its constraints.
Artificial Intelligence is at the genesis of creating fundamental changes in the way we design and construct buildings and cities. Some of these changes will be abrupt and disruptive to normative practice. Others will take more time to feel the effect of this new technology, but the change will be pervasive. When combined with the Metaverse, AI will also offer vast opportunities for the profession to expand and grow. The kinds of spaces and environments we design in the Metaverse will be, in some aspects, very different from what we currently design in the physical world alone. AI evolves every day, and we are compelled to learn while we innovate. AI has proven it is a powerful tool to assist designers and offers the potential to challenge us to alter our design process. Combining AI with narrative design is one of those challenges.
Humanity has become obsessed with breaking its limits, creating new records only to break them again and again. In fact, our cities’ skylines have always been defined by those in power during every period in history. At one point churches left their mark, followed by public institutions and in the last few decades, it's commercial skyscrapers that continue to stretch taller and taller.
The Council on Tall Buildings and Urban Habitat (CTBUH) has developed its own system for classifying tall buildings, stating that the Burj Khalifa (828 m.) is the world’s tallest building right now. Read on for the 25 tallest buildings in the world today.
Copenhagen-based philanthropic association re:arc institute has announced the cohort of nonprofit organizations, people, and practices they will support throughout 2024. The organization founded in 2022 works at the intersection of climate action and architectural philanthropy, aiming to support the development of solutions that address the root causes and consequences of climate change.
The architectural field often adheres to conventional industry models, either client-based or competition-based, which can perpetuate problematic or extractive motivations. The re:arc institute hopes to rethink the architecture discipline’s potential for addressing social and environmental concerns by providing a blueprint for pioneering philanthropic projects. To do so, they provide funding to nonprofits, individuals, and community-led projects exploring innovative approaches that prioritize planetary well-being. Their focus is on hyper-local, grassroots initiatives that address climate crises with a strong emphasis on the unique needs of specific places and communities.
WORKac has just initiated the construction of a new cultural center in Inwood, New York. Led by immigrants and women of color, “The People’s Theater: Centro Cultural Inmigrante” is dedicated to supporting immigrant New Yorkers through various artistic programs. Spanning multiple languages and generations, their unique form of theater serves as a dynamic platform for immigrants and members of the Latin, Black, and Queer communities.
The city of Mendoza, Argentina, hosted the international event known as the "Feria de América," an industrial and continental exhibition that took place from January to April 1954. To provide a suitable setting for the exhibition, 30 hectares of land were allocated around the perimeter of Lake Parque General San Martín. Here, 93 pavilions and nearly 20 facilities were set up, including the Allegorical Tower, an open-air theater, and bars. The American countries represented with their own pavilions were Brazil, Chile, Ecuador, and Paraguay. There was also a large pavilion that housed various Latin American countries such as Colombia, Cuba, Bolivia, El Salvador, Honduras, and Mexico, along with stands for Chilean and local Mendoza-based companies and provincial pavilions for Mendoza, San Juan, Misiones, La Rioja, Eva Perón (now La Pampa), Juan Domingo Perón (now Chaco), Córdoba, Corrientes, Santa Fe, Tucumán, and Buenos Aires. Additionally, there were stands and premises for various trade chambers (Quiroga, 2012). The fair embodied the government's aspiration to showcase a thriving, prosperous Argentina that was connected to regional countries and at the forefront of industrial development.
https://www.archdaily.com/1008478/modernity-in-mendoza-pavilion-24-at-the-feria-de-america-international-exhibitionPablo F. Bianchi
After being awarded the prestigious Silver Lion for his contribution to this year's Venice Architecture Biennale, Brooklyn-based artist Olalekan Jeyifous shows no signs of slowing down. Currently in the midst of preparing his entry to the next Sharjah Architecture Triennial, he also recently celebrated the opening of Climate Futurism, a group exhibition that highlights the power and efficacy of artists’ methods and processes to imagine a more equitable future – and is working on a public monument to former United States Representative Shirley Chisholm as part of New York City's She Built NYC initiative, among other projects.
Recent statistics suggest that if someone lives until they are 80, around 72 of those years will be spent inside buildings. This makes sense if we bear in mind that, when not at home, humans are working, learning or engaging in fun activities mostly in enclosed, built settings. Contemplating current events, however, this number is expected to grow. In an increasingly chaotic and uncertain world, marked by the ongoing effects of climate change and the global pandemic, the desire to stay indoors in a protected, controlled and peaceful environment is stronger than ever. Architects face an important challenge: to create comfortable, productive and healthy interiors with well-regulated parameters, considering factors like indoor air quality, daylighting and biophilic features from the initial stages of design. Of course, this involves choosing materials sensitively and accordingly, whether it be by avoiding certain health-harming components or by integrating non-toxic products that soothe and promote wellness.
Image created using AI under the prompt: An expressive illustration of an urban environment with a lush landscape that exemplifies the decarbonization of architecture. Image via Via DALL.E 2
Architecture encompasses multiple processes, starting with identifying needs and transforming them into habitable structures through thoughtful design. Historically, construction-related processes like resource extraction and end-of-life disposal were often overlooked. However, it is essential to recognize that buildings have a lifecycle with significant impacts on carbon emissions. Emphasizing sustainable practices is vital to minimize our ecological footprint and positively impact the planet.
https://www.archdaily.com/1004300/how-to-reduce-the-carbon-footprint-through-architecture-three-approaches-across-the-building-lifecycleEnrique Tovar
The world has just witnessed the hottest months in recorded history, and the outlook is far from optimistic. Rising temperatures are driving greater cooling demands, threatening to trigger a vicious cycle of higher electricity use and carbon emissions. In a planet simultaneously facing unprecedented urbanization and a climate crisis, the intersection of building energy efficiency and cooling technologies has never been more crucial.
Throughout history, architecture has always been associated with the elite and the wealthiest echelons of society, who commissioned sumptuous buildings to satisfy their aesthetic and functional needs. This trend dates back to ancient civilizations: Egyptian pharaohs built pyramids and impressive temples, Roman emperors erected magnificent amphitheaters and palaces. Architecture was, and often still is, a symbol of power and prestige. Over time, the profession expanded to encompass various types of buildings and audiences, from simple residences to public and commercial structures, and the advancement of technology and construction techniques made it more accessible in terms of costs. However, inequality in access to high-quality architecture still prevails, especially in underdeveloped countries or socially vulnerable contexts. Many regions face serious housing, infrastructure, and urban planning problems due to a lack of resources and adequate investments, with poor construction conditions, slum areas, a lack of basic sanitation, and unsafe buildings.
Brick is a traditional building material that enhances durability, versatility, and the aesthetic appeal of building design. Used in construction for thousands of years, contemporary architecture explores creative ways to incorporate brick into design, combining it with different materials to seamlessly integrate the old and the new. Traditionally composed of clay, these rectangular-shaped elements are also heavy-duty materials suitable for use in both load-bearing and non-load-bearing walls.
Delving into lighter alternatives, thin brick –with minimum thicknesses of approximately 1/2 inch (13mm)–combines the technical and aesthetic qualities of traditional brick with the advantages of being lightweight and space-efficient. In various colors, sizes, and textures, thin brick can be applied to diverse surfaces, such as walls and facades, without additional structures. The Brick Industry Association showcases interior and exterior projects, developing practical guides and solutions for achieving the classic, timeless look of brick masonry, along with design flexibility and easy installation.
The Türkiye Design Council (TDC) has gathered 13 design practices, including Foster + Partners and Bjarke Ingels Group, to contribute to the revitalization of the historic province of Hatay, an area severely damaged by the 7.8 magnitude earthquake in February this year. Foster + Partners has been selected to lead the design and planning of the new master plan for the city of Antakya, known to antiquity as Antioch, while several other offices including Turkish practices DB Architects and KEYM (Urban Renewal Center) will work together to create a vision for the rebuilding of the city. The master plan is expected to be revealed in its entirety in 2024.
Courtesy of Plomp, Rendering Courtesy of Tod Williams Billie Tsien Architects | Partners
The DetroitMusic Hall has just announced an expansion project designed by Tod Williams Billie Tsien Architects. As a cherished cultural institution in the heart of Detroit’s vibrant performing arts community, the project aims to become a central and accessible hub for music programming, production, and education. Ushering a new era of cultural enrichment, the project is focused on revitalizing downtown Detroit and the surrounding area.
Exhibition Center of the Administrative Center of Bahia / João Filgueiras Lima (Lelé). Image: Gabriel Fernandes from São Paulo, Brasil, CC BY-SA 2.0 , via Wikimedia Commons
Tie rods are integral in structural engineering, primarily for transmitting traffic loads and alleviating compression forces within a structure. These slender components, resembling cables or metal bars, offer seamless integration into a space, lending themselves to visually appealing designs through repetition. They have applications ranging from furniture design to large-scale urban infrastructure projects, including suspension and cable-stayed bridges.
At 23.5 degrees north and 23.5 degrees south of the equator respectively, sit the Tropics of Cancer and Capricorn. The 3,000-mile-wide band between them that wraps around the Earth is affectionately known as the ‘bean belt’. The tropical and sub-tropical climatic conditions inside the belt, as well as the high percentage of land over 1,000 meters above sea level, create the perfect conditions for the coffee plant to thrive.
In these regions across Central and South America, Africa, and Asia, coffee is one of the main national exports, becoming a large part of many national identities. So the interiors of the countries’ home-grown coffee shops can be just as rich and well-balanced as the coffee beans they grow. For people living in the bean belt, coffee is more than just a drink, it’s literally a life source. And at these coffee shops, it’s treated as such.
Violent cities result from social and economic inequality, which also affects the urban landscape and the way we live. In honor of International Cities Day, we have selected a series of projects to reflect on non-violent ways of using public space.
East Los Angeles Interchange. Image Courtesy of The Dirt
Highways, in their inanimate state, cannot be racist. However, the forces that located them and the consequences of their placement are inextricably connected to race. Deborah Archer, a law professor and civil rights lawyer, captures the central concept: “Highways were built through and around Black communities to entrench racial inequality and protect white spaces and privilege.”
In the new book, Justice and the Interstates: The Racist Truth About Urban Highways, editors Ryan Reft, Amanda Phillips du Lucas, and Rebecca Retzlaff explore racial injustice and the interstate highway system. They collect essays that address the dislocation caused by interstates. The book came out of a series of articles in Metropole, a publication of the Urban History Association.
https://www.archdaily.com/1009056/confronting-the-racist-legacy-of-urban-highwaysDiane Jones Allen
How do we create buildings that use energy efficiently? Traditionally, efforts to green the built environment have centered on the physical infrastructure, often overlooking the relationships between people and space. The emergence of the technological era has ushered in "Smart Buildings." that employ machine learning and automation. These innovative structures are designed to operate with impressive energy efficiency, however, they are largely disconnected from their occupants. What if buildings could be made smarter and more sustainable by engaging with their occupants?
There’s something about the saturated hues of blossoming springtime flowers and the fiery, warm tones of a sunset descending upon a cityscape that brings us joy. Humans crave color. In fact, we’ve been fascinated by them since the beginning of our existence. So much so that everything from the color of our clothes to the brightly illuminated pixels on this screen is an attempt to recreate –and enhance– the vibrant shades present in nature, finding in them a source of inspiration and vitality. Our brains are wired to link colors with sensations and experiences: the lush greens of a forest evoke feelings of tranquility and renewal, while the deep blues of the ocean stir a sense of mystery and adventure. It is this ability to elicit emotion that makes colors an invaluable tool for architects and designers –and which also explains why trends are moving away from the once-reigning neutral minimalism towards a more maximalist aesthetic that embraces pops of color, dimension and playful texture.
MAD Architects has unveiled the project for the renovation of the "Wanmicang" warehouse on the southside of the Shanghai Zhangjiang CementFactory. The building is set to be transformed into a multifunctional public waterfront space for culture, creativity, and commerce. The project maintains the character of the former industrial site but introduces a new addition in the form of an ark-like metal 'floating' volume, creating a stark contrast between the old and new structures. The project is scheduled for completion by 2026.
The designs for the Australian Pavilion at Expo 2025 in Osaka, Japan, have been unveiled by Australia’s Minister for Trade and Tourism. Designed by global firm Buchan, the scheme celebrates Australia’s natural beauty. Under the theme “Chasing the Sun,” the pavilion is aligned with Expo's larger theme: developing and adopting the best practices to drive sustainable co-creation. In essence, the theme is meant to capture the confident optimism the nation possesses, inspiring creative solutions and international cooperation.
Courtesy of Nuevo Pudahuel. At the time, the project was included in ArchDaily's selection of the 22 most anticipated projects of 2022.
Granted annually at UNESCO since 2015, the Prix Versailles consists of architecture awards that showcase the finest contemporary achievements worldwide. Today, alongside the announcement of the World Selections in the categories of airports, campuses, passenger stations, and sports spaces, the 2023 edition is officially inaugurated.
There are several reasons why Colima is a Mexican state of relevant cultural wealth, one of them is due to its climate and orography where beaches such as Manzanillo and the Colima volcano are sheltered, facilitating tourism in this region. Moreover, the rich pre-Hispanic history signed on archaeological sites such as "El Chanal", "La Campana" and "Meseta de la Hierbabuena", as well as some important haciendas (farms) such as the Hacienda de Nogueras, Hacienda del Carmen and Hacienda San Antonio.
