To create this collection, Marc Goodwin collaborated with Italian architect, publisher, teacher, and curator Alessandro Martinelli, who is based in Taipei. He selected the participants with the help of Mr. Chung-Hsiung Wang, the curator of the Taiwan Pavilion at the Venice Architecture Biennale 2018. The series will continue to develop with the creation of scale models for each studio, which will be exhibited alongside the photographs in the Taiwan Pavilion of the Venice Biennale.
Uzbekistan has just revealed its pavilion for Expo 2025 in Osaka, Japan. Designed by Atelier Brückner and realized by NUSSLI, the pavilion aims to showcase the country’s vision for the future under the Expo’s broader theme, “Designing the Future Society for Our Lives.” Composed of modular, reusable wooden elements, the pavilion’s architecture will later be reconstructed in Uzbekistan, serving as a studio, workshop, or school.
The office building typology emerged from the need to unite thousands of people within a relatively strict working environment. In major cities, these structures clustered into Central Business Districts (CBDs), which became dedicated neighborhoods accommodating commerce and businesses. However, the COVID-19 pandemic disrupted this model, leading to the rise of remote and hybrid work. Now, nearly four years later, occupancy rates in these urban centers remain lower than pre-pandemic levels, signaling a long-term shift in the work environment. To address this challenge, developers have been increasingly looking into “repositioning” their projects, seeking to redefine their image by adapting them to contemporary demands. This typology considers the surrounding urban fabric, aiming to expand the building’s use beyond its original purpose and attract people back to the CBDs.
New developments, companies, start-ups in the real estate industry are transforming perceptions and needs around home ownership and rental experiences. In a society where home ownership is attributed to personal success, innovations in the residential rental market seek to enhance the appeal of renting. Evolving consumer needs are resulting in a trend of exclusive, community-focused living models. This shift is redefining how people view their living spaces, interact with their communities, and perceive the value of their homes.
Throughout history, stone has been a vital building material because of its strength, beauty, and inherent appeal. Stone has been used to build long-lasting constructions for ages, from historic monuments to contemporary residences. Because of its resilience, it is suitable for both interior and exterior design projects, providing a diverse array of appearances. There are numerous varieties of stone, each with a distinct texture and color, including marble, granite, and limestone. Because of this diversity, stone may be creatively used by architects and builders to create accents or entire buildings. This curated selection of Unbuilt Architecture,submitted by the ArchDaily community, showcases how stone is still a dependable and adaptable building material that can combine old-world craftsmanship with contemporary style.
Oct Art Center, Photo by Xia Zhi. Image Courtesy of Zhu Pei Studio
“This is going to be amazing! I feel so excited,” says Zhu Pei about his now under-construction Majiayao Ruins Museum and Observatory in Lintao, Gansu province. The Beijing-based architect designed his building like a deeply embedded cavernous space evoking a giant fragment of ancient pottery, resembling an archaeological site from the Neolithic Age discovered here a century ago. The building is so unusual that it cannot be described in common architectural terms. For example, a vast cast-in-place concrete hyperbolic shell lies prone on the ground, blocking the cold wind from the northwest in winter. The architect used the sand and gravel from the local Tao River to produce a special rough concrete with horizontal scratches on the surface, symbolizing the traces of thousands of years of erosion. All of Zhu’s buildings are quite remarkable. Yet, despite their novelties, they are rooted in culture, nature, and climate. They are designed based on his architectural philosophy, Architecture of Nature, articulated in five fundamental points: incomplete integrity, sponge architecture, cave and nest, sitting posture, and structure and form.
Cannabis has been widely used throughout human history for a variety of purposes: textiles, paper, food, medicine, biofuels, and even as a stigmatized recreational drug. Considered one of the first plants cultivated by humanity, its history spans millennia and often intertwines with the world of construction. Hemp, a variety of cannabis, has been an essential material in construction history, widely used for its exceptional strength and versatility in various applications, such as fiber production for reinforcement, thermal and acoustic insulation, and as a sustainable alternative in construction processes.
Starting on June 30th, 2024, Edmund Sumner presents the “Traces” exhibition, a solo show at Rodic Davidson Architects in London featuring architectural photography that explores cultural identity and historical significance across diverse landscapes. The show offers a profound exploration of architecture and design across diverse landscapes, including Europe, India, and Mexico, presenting a compelling intersection between photography and the built environment. Additionally, the photographer is expected to release his fifth book with Thames & Hudson in 2025.
In November of 2022, the coastal city of Sharm El Sheikh, Egypt, hosted the 27th convention of the United Nations Conference of the Parties, known as COP27. Since signing the Paris Agreement in 2015, the nearly annual conference has gained momentum as a global leader in sharing knowledge and developing frameworks to mitigate climate change worldwide. While the more recent COP28, held in Dubai in 2023, focused on conversations of energy production, this previous conference focused on urban contexts, as they deal with the urgent need for incorporating loss, damage, and climate reparations into climate action plans. As two years have now passed since COP27, it is important to revisit these discussions and hold governing bodies accountable for the promises made and the benchmarks set for climate change mitigation. One of the most ambitious plans from COP27 highlights an urgent debate in our urban environments: how will we define loss, damage, and climate reparations in the twenty-first century?
Rounding up the Olympic Games 2024 in Paris, a special focus is placed on the architectural language and phenomenon that transformed the city for its Olympic and upcoming Paralympic venues. Spread across the city and surrounding areas, Paris integrated iconic landmarks and modern facilities to host a diverse selection of Olympic sports. Beyond the sports venues, the interventions also included unique visitor centers and athlete's accommodations that will serve a purpose beyond the summer's events.
The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.
A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.
This week David and Marina of FAME Architecture & Design discuss their pet peeves in architecture design. The two cover poorly adapted historical elements; inconsistent use of materiality and detail in a project; dead-end hallways; poor construction execution and more.
https://www.archdaily.com/1019964/the-second-studio-podcast-architecture-pet-peevesThe Second Studio Podcast
In the quest to preserve certain architectural, historical, and cultural features of original Catalan homes, apartment renovations are conceived as a means of connecting the past and the present through the recovery and/or restoration of coverings, flooring, carpentry, facades, and more. The history of ceramics in Spain has evolved over the years, experiencing periods of productive flourishing as well as decline. However, the expressive language, versatility, and adaptability of hydraulic tiles to tradition and the future stand out in homes' interior and exterior spaces with their wide combination of colors, textures, and patterns.
Educational infrastructure is key to any community. The better the quality of these spaces, the better the learning experience for those who use them. However, these facilities often serve a much broader purpose than just education. In Global South communities, in countries like Peru or Vietnam, where a significant portion of the population lives in rural areas far from urban centers, there are few educational spaces and a lack of places where the entire community—not just the students—can come together.
In Mexico City, the iconic Casa Praxis(1975) by the renowned Mexican sculptor, poet, and architect Agustín Hernández Navarro became the main stage in "El Luchador" (The Wrestler), a short film produced by Simon anddirected by RA! Arquitectos alongside filmmakers René Batista and Tito Sánchez. The film marks the launch of the 5th edition of the Living Places-Simon Architecture Prize. Simon, a centennial family-owned company specializing in lighting, energy, and space management, is recognized globally for its commitment to architectural excellence.
The film’s story follows the journey of a young dreamer who enters the house to live out his greatest fantasy: to become a wrestler, while facing unexpected events. It highlights the power of dream spaces to make the wishes of their inhabitants come true, illustrating that behind every living space there is an architect with a story to tell.
Guillaume Bontemps/Ville de Paris. Image Courtesy of Paris 2024 Olympic Games
The recent history of the city of Paris is entangled with that of the Olympic Games. In 1900, Paris hosted the second edition of the Games, starting a journey of urban adaptations and architectural developments that prepared the city for the event. Among the most important changes was the introduction of Line 1 of the metro, inaugurated in 1900 to link the locations of the Universal Exhibition with those of the Olympic Games in Vincennes. Just 24 years later, the city hosted one of the most influential editions of the Olympic Games. The event, the first to be broadcasted on the airwaves, contributed to a substantial rise in the popularity of the Games. It was also during this edition that the concept of the Olympic Village was born. Several of the infrastructures and venues built over a century ago are still in use in Paris, with some of them returning now as hosts of Olympic events.
According to the United Nations, indigenous people are "place-based" ethnic cultures that have not migrated from their initial homeland. In today's world, with human-caused climate change driving extreme weather events and a growing demand for authenticity and cultural diversity, architects are increasingly turning to indigenous knowledge systems not only as sources of inspiration but as viable solutions to adapt and respond to local and global challenges. As traditional custodians of the land, Indigenous communities possess a profound understanding of their ecosystems, locally available materials, cultural norms, and social constraints. This knowledge holds insights valuable for shaping contemporary architecture, helping it adapt to both the people and their environments.
Vernacular and indigenous practices are emerging as a foundation for architectural reimagining, informing spatial lays, the choice of materials, and building techniques while also allowing for the integration of innovation and contemporary expression. This careful blend of tradition and modernity can have a significant impact in terms of sustainability, as architects who adopt the indigenous approach to harnessing available resources can not only create structures rooted in their context but also minimize the ecological impact of the construction. Additionally, collaborating directly with Indigenous communities leads to projects that prioritize community participation, cultural sensitivity, and sustainable development.
Banyan Tree Hotel AlUla by AW2 - Architecture & Interiors. Image Courtesy of Architecture and Design Commission
The King Salman Charter for Architecture and Urbanism Award is an initiative designed to recognize and celebrate architectural excellence aligned with the values of the King Salman Charter in Saudi Arabia. Established to honor King Salman’s vision, the Award promotes high-quality design by encouraging architects and designers to integrate the Charter’s principles into their work.
As the world witnesses an unprecedented exodus from rural to urban areas, cities face a monumental challenge: how to accommodate a constantly growing population? This phenomenon, characterized by rapid population growth and increasing density, puts pressure on resources, infrastructure, and urban services. As significant problems demand even larger solutions, it becomes necessary, more than ever, to rethink the tools at our disposal. In this challenging context, the rise of emerging technologies such as the Internet of Things (IoT), data analytics, and artificial intelligence (AI) presents itself as a light at the end of the tunnel. These technologies, initially conceived to simplify everyday tasks and facilitate communication, are potential instruments that enable an effective response to contemporary urban challenges.
National Public Radio officials thought they had a solid plan. Over a decade ago, they began to create new offices in the NoMa neighborhood of Washington, D.C., to consolidate 800 employees in three buildings. The $201 million adaptive reuse of an old warehouse plus a new seven-story tower opened in 2013 with soaring ceilings, a 24-hour wellness center, a gourmet café staffed by a resident chef, and dozens of bike racks to encourage cycling. There’s only one problem: hardly anyone works there now.
At least three-quarters of densely packed cubicles that dominate entire building floors sat eerily unoccupied during a tour for the American Institute of Architects annual convention, held in June, and it wasn’t because reporters were out covering stories. Due to work-at-home policies, few writers and editors take advantage of the building’s $44 million in top-shelf audio and multimedia equipment, 14 studios, and six recording booths.
On October 23, 2023, during the closing of the Line Exhibition in Riyadh, Saudi Arabia, ArchDaily’s Editor in Chief, Christele Harrouk spoke to Tarek Qaddumi, Executive Director of The Line Design at NEOM, asking questions that probe into both the conceptual aspects and the technicalities of The Line project. In this video interview, the conversation addresses notions such as accessibility, transportation, and sustainability, while also exploring the concept of Cognitive Cities and the intended phasing of the project.
https://www.archdaily.com/1019840/building-the-line-as-a-three-dimensional-city-in-conversation-with-tarek-qaddumi-executive-director-of-the-line-design-of-neomArchDaily Team
In the first decades of the XXI century, Honduras experienced higher levels of crime and violence compared to its other Central American neighbors. This situation caused the country to be largely avoided by most visitors and investors. However, it didn’t stop Tegucigalpa, its capital city, from experiencing an explosion of residential and office developments which are currently reshaping its skyline. Defined by a unique topography, and tropical weather, the city served as a testing ground for modernist urban principles that contributed to the transformation of a small mining town into one of the largest metropolises in Central America.
