Housing is certainly one of the most interesting themes that present itself to the architect, after all designing a residence allows the study of the usage and customs of human beings according to their culture, desires and daily life. Each project brings a new customer and, with it, an unprecedented challenge.
Through the ten selected projects, it is possible to see the inventiveness of the architects and how each work distinguishes itself from the other through the colors, geometry, relation with surroundings or even the way in which it innovates when proposing a new daily life to its inhabitants.
Africa is a diverse continent with different contexts that go beyond the stereotypes imagined and propagated by those who do not know it. These stereotypes also cover the architectural field. African architecture is always remembered for its beautiful vernacular projects or works by Keré, but other languages developed by architects on the continent are almost forgotten.
For this reason, in order to increase the panorama of contemporary architecture built in Africa, we have gathered here a selection of buildings that have been realized in fourteen different countries. Be inspired by the eighteen selected projects below.
Architects and coffee go hand in hand. The aesthetic of the espresso maker has become a mundane part of the morning ritual. The designers at Montaag are changing that with the release of AnZa a show-stopping espresso maker made of concrete. After four years of prototyping and testing, the espresso maker is equipped with high-tech functionality for important things, like remotely brewing your cup as an incentive to get out of bed.
Designed for the V-A-C Foundation, Venice-Based Israeli architect Omri Revesz’s adjustable Street Cinema rests lightly next to a canal in Venice, Italy, expanding, contracting, opening, and closing as its program changes.
Acting as a social gathering point during the day and an open-air cinema at night, the structure was open for the 74th Venice Film Festival as part of the V-A-C’s Venice Art Biennale 2017 exhibition Space Force Construction – a reflection on the centenary of the Soviet Revolution.
Designed by David Svensson, a total of 400 meters of a neon resembled warm white LED from GE is a work of art representing the pulse of city life in busy Stockholm station.
The project, a piece of suspended light, is built by metal profiles and a ceiling where the warm and white light of a series of LED strips is projected, in the quest to represent the basic visual language of the line.
In the entryway of ArchDaily’s Headquarters, there is a framed, handwritten note from a student in Australia, Alice McLeod. This is something that we have cherished as a company with a very specific mission. She writes,
I grew up in a country town in Victoria, Australia. I lived 3 and half hours drive from a city. My closest library has 5 books in the “architecture & design” category. I had no access to the world and history of Architecture. Your website opened that world up to me. I found my passion and education through ArchDaily. In January I moved to Melbourne to begin my first year of my Architecture Degree. I have never been happier.
https://www.archdaily.com/880524/whats-your-archdaily-storyAD Editorial Team
As a response to the fast-paced city life, GrowMore is an urban gardening modular design with endless configurations to suit even the most unexpected of spaces. Designed by Sine Lindholm and Mads-Ulrik Husum, the modular building kit provides an opportunity for social interaction and locally grown vegetation, reminding people to pause and connect with nature.
Videos
Courtesy of Guillermo Fernandez-Abascal, Urtzi Grau and Daniel Perlin
Driver Less Vision, an installation at the 2017 Seoul Biennale of Architecture and Urbanism by Guillermo Fernandez-Abascal, Urtzi Grau and Daniel Perlin, is an immersive 3D video experience comprised of spatial scans of Seoul, projected into a dome and paired with surround sound. The supporting audio is the internal monologue of a personified autonomous vehicle, driving through the streets of a future Seoul, Korea. The installation transports vierers to the front seat of the autonomous vehicle, providing a new perspective of traversing cities—through the car’s point of view.
Three M. Arch. candidates at Montana State University, Jonathan Chavez, Kimball Kaiser and Adam Shilling, won an Undergraduate Scholars Programresearch grant which they used to fund their design-build project: B.O.B., the Backyard Office Box. B.O.B. is a kit of parts which, when put together, create a 150-square-foot dwelling space. The design team, also known as Tr3s, wanted their project to be adaptable to a variety of sites and users. B.O.B. can function as an additional space to already existing projects or standalone as a temporary shelter.
Architect Alfredo Thiermann has recently collaborated with Chilean Filmmaker Marialy Rivas in her latest film “Princesita." The film will be premiered next week at the Toronto International Film Festival.
Alfredo Thiermann’s practice has been long involved in the interaction of architecture with other medias (Artifact Nr. I Dynamics of the Void Noise Tower ) and here is the result of his last collaboration with “Fabula Productions," also known for Pablo Larrain’s academy- nominee ”No” and Sebastian Lelio’s “Gloria."
The targeted maximum wait time in office building elevators is 20 seconds—it just feels like 2 minutes when you’re in a rush. But how quickly are the elevators actually moving?
The fastest installed elevator reaches speeds of 67 feet per second (20.5 meters per second), or 46 miles per hour (73.8 kilometers per hour) in the Shanghai Tower. Not only does the Gensler-designed Shanghai Tower boast the fastest elevator, but also the longest continuous run of 1,898 feet of the 2,073-foot tower (578.5 of 632 meters), as revealed in a recent study by the Council on Tall Buildings and Urban Habitat (CTBUH). At these speeds, you can reach the 119th floor in 55 seconds.
What are the best construction materials and products on the market? Which are the most popular? Thanks to the activities of our readers, we're beginning to find some answers to these questions. Combining the use of two ArchDaily tools, many of our readers have saved their favorite architectural materials and products—directly from our catalog—into their personalized My ArchDaily folders.
We have investigated the data from the first 6 months of 2017 to identify and share the most popular products from our catalog with you. What do these products have that make them so popular? Would you apply them on your next project?
https://www.archdaily.com/879228/the-15-most-popular-architectural-materials-and-products-of-2017AD Editorial Team
With the common goal across their portfolio of enhancing the landscape, Camposaz has designed a tourist information pavilion in Roccamonfina, Italy. The wood pavilion is sited just off of a pedestrian path, overlooking the adjacent public park with stunning views of the nearby mountains, a driver in the design.
Earlier this month, Studio Bas van der Veer, the Dutch product design studio, unveiled its design for a rain barrel at the three-day fair, spoga+gafa 2017, in Cologne. Van der Veer, a graduate of the Design Academy Eindhoven, initially designed the product – then titled ‘A Drop of Water’ – as part of his thesis in 2009, for which he not only won the prestigious René Smeets Award for best project at the school’s Graduate Galleries exhibition but was also shortlisted for the Melkweg Award. Over the years, the design won numerous accolades, including the Journées des Collections Jardin - Innovation Award, and the Tuinidee Award.
This modular design developed by the students of the Department of Architecture Sciences at Ryerson University proposes a public space to sit and relax that works as an extension of the walkway, appropriating and giving a new meaning to the parking spaces in the streets of Toronto.
The project, with a natural wave form, is built by a series of Accoya wood modules, which allow easy storage, reuse, and reconfiguration.
Each year, thousands of tourists flock to the Italian region of Tuscany to view works of architectural mastery. Renowned architectural figures such as Michelangelo and Brunelleschi transformed Tuscan cities to be stages of cultural rebirth during the 14th-17th century. These times, however, have passed. Today, Tuscany is faced with problems such as the decline of suburbs, abandoned buildings, and property speculation. The modern Italian architecture scene is in decline, and the country is experiencing an oversupply of architects, requiring many to emigrate in search of work.
Can the spirits of these Renaissance architectural masterminds be emulated today in modern Tuscany? This is exactly the topic that cultural association 120g explores in their new documentary, Tuscanyness. The film depicts how this nature of cultural rebirth is alive today through the architects born and educated in the Tuscan region. Here, emerging architects have the unique opportunity to listen to the teachings of the past to inform the architecture of the future.
Adding a plant makes any space instantly cozier. No need to have a large balcony to grow them, there are many species that develop well in living rooms, kitchens, and even bathrooms, with little maintenance as well as space efficient. The vases used also add to the composition of well-decorated environments. Flowers add color and diversity to all environments, but it is worth mentioning that species that do not produce flowers do less photosynthesis and therefore require smaller amounts of sunshine and are therefore more suitable for indoor cultivation. It is also important to note that popular names can be quite different, so you should always pay attention to its scientific names when choosing your species.
Below, we selected 12 ornamental plants ideal for indoor cultivation.
This investigation by Kuan-Ting Lai, developed as part of his thesis on Reconfigurable Systems of Tensegrity at the University of Stuttgart, is an exploration of the capabilities of structural principles in creating transformable architectural structures.
The project, a prototype made of pneumatic cylinders and polycarbonate panels, explores different methods of reconfiguration based on the basic rules of tensegrity, demonstrating the potential to rapidly adjust the lighting or ventilation conditions offered by the structure.
Seeking to connect the traditions of carpentry and the prefabrication industry, Chilean practice abarca+palma have developed a modular house proposal made up of 10 different types of module, capable of forming 5 different house layouts.
The house is constructed in pine wood—using composite beams and pillars—with prefabricated SIP panels.
Are the concrete buildings we build actually a sign of architectural progress? Defunct housing projects abandoned shopping malls, and short-sighted urban projects are more often than not doomed to a lifetime of emptiness after they have served their purpose. Their concrete remains and transforms into a lingering reminder of what was once a symbol of modern ambition. Stadiums and their legacies, in particular, come under high scrutiny of how their giant structures get used after the games are over, with few Olympic stadiums making successful transitions into everyday life. With a new approach to sustainability, the Shell Mycelium pavilion is part of a manifesto towards a more critical take on building. Say the designers on their position: “We criticize these unconscious political choices, with living buildings, that arise from nature and return to nature, as though they never existed.”
The Shell Mycelium Pavillion is a collaboration between BEETLES 3.3 and Yassin Areddia Designs and offers an alternative to conscious design through temporary structures. Located at the MAP Project space at the Dutch Warehouse, the pavillion formed part of the Kochi Muziris Biennale 2016 Collateral in India.
The stair is one of the most fundamental elements of architecture. Whether thin and delicate or bold and colored, in some projects a staircase becomes the buildings’ main protagonist and serves as a focal point for the entire project. It is through staircases that architects create spatial forms and visuals that reveal new ways to perceive a constructed space. For this reason, we’ve searched our archives (again!) in search of some more inspiring stairs.
Developed by researchers and students from the Faculty of Architecture at HKU and supported by Sino Group, the 'Ceramic Constellation Pavilion' is built on a wooden structure that supports a series of "walls" formed by about 2,000 clay bricks. Each of these individual components is unique and has been manufactured using robotic technology and 3D printing, allowing to generate different types of transparency and opacity in their different faces.
When it comes to forms of architectural representation, there is no method more expressive or foundational than the drawing. The series of decisions—drawing utensil, paper type, line style, hand versus digital—combined with the choices of what an architect includes (or excludes) in their drawings reveal the true intentions behind the design of a project in perhaps the noblest and purest fashion.
In previous years, we've published round-ups of our favorite images from our database of selected projects (which we will do again this winter!), but this year, we wanted to do something a little different to engage with our community: we asked our readers to submit their own best drawings. The response was overwhelming – we received more than 1200 drawings from our network of readers across the globe, ranging from atmospheric perspectives to interpretive sketches to highly-technical sections.
From those submissions, the ArchDaily team has selected 80 of our favorites, organized into 7 categories: Visualizations, Axonometric - Isometric, Sections, Collages, Context, Sketches and Plans.
Photographer Gregori Civera worked in collaboration with Pablo Bofill to photograph the magnificent work of his father Ricardo Bofill. The Red Wall, La Muralla Roja is a housing project located within the La Manzanera development in Spain's Calpe. The building makes clear references to the popular architecture of the Arab Mediterranean Area, a result of the architects' inspiration by the Mediterranean tradition of the casbah.
In this photoset, Civera manages to capture the vivid colors that give abundant life to the project since 1972, exaggerating the contrast between the arid landscapes of the area and its color. In addition, the softness of the chromatic range and chosen angles manage to diminish the impact of the hard forms and imposing composition, allowing the viewer to contemplate the everyday world of this set of houses.
