Iranian Architecture

Landscape architecture has traditionally been associated with lush greenery, rooted in the historical development of gardens and parks as spaces that bring nature into urban areas. This connection to greenery is deeply ingrained in the origins of the field, where the creation of verdant retreats was seen as both aesthetically pleasing and beneficial to human well-being. However, in regions like the Middle East, where water scarcity and harsh climates are more prevalent, there is a growing trend toward using local materials such as sand, stone, minerals, and indigenous plants. This shift reflects a more sustainable approach, reimagining landscape architecture to align with the environmental and cultural contexts of the region.

In the evolving landscape of workplace design and office architecture, the boundaries of creativity and functionality are constantly being pushed. From futuristic skyscrapers to co-working spaces, the future of work environments respond to the dynamic needs of modern businesses and their employees. This week's curated selection of Unbuilt Architecture focuses on office, workplace, and administrative buildings submitted by the ArchDaily Community.

A cornerstone of architectural innovation for centuries, concrete has transformed the structural capabilities of buildings worldwide. As one of the more versatile and durable building materials, concrete has aided architects and engineers in pushing the traditional boundaries of design. Today, it is the most widely used construction material on the planet. According to the Guardian, concrete is also a “lifestyle concept,” using its “gritty, urban” aesthetic to shape the imagination of all our architectures at every scale.

In the realm of architecture, inclusivity and accessibility have emerged as pivotal pillars in design philosophy. In honor of World Autism Day, this curated collection recognizes the evolution of architecture’s response to differently-abled bodies. The history of disability in architecture is deeply intertwined with advocacy and activism. In fact, a group of pioneering students named “The Rolling Quads” spearheaded a movement for disability rights in 1972 in California. This grassroots activism has not only reshaped the physical world but also catalyzed broader conversations about social justice in architectural design.

Water, fluid and dynamic in its nature, has long been an inspiration for architects and designers. From ancient civilizations to modern metropolises, the presence of water has shaped architectural schemes and urban landscapes. This elemental force provides aesthetic and sensory inspiration to the buildings that are built around it. Additionally, it poses challenges and different opportunities for problem-solving, particularly as rising sea levels demand a revaluation of coastal developments.

In the contemporary context, museums face contradictory sets of ideas: becoming attractions on and of themselves but presenting an understated image that shifts the attention to the exhibits, creating a safe and protected environment for the artifacts, yet opening them up to the public, becoming repositories of history yet catalysts for innovation. Searching for the balance between all of these constraints has resulted in the flourishing of diverse types of museums and cultural institutions, from those dedicated to the remembrance of a single event or persona to temporary homes for cultural events or spaces that expand their cultural offering beyond exhibition areas.

As the summer days come to an end, the focus naturally shifts to the realm of academia, a space full of curiosity, energy, and ingenuity. For architects, educational spaces are an opportunity for exploration, as they gather eager students together with professors and experts in their respective fields. The environment of educational facilities thus becomes a canvas for the cultivation of creativity, curiosity, and growth. From the playfulness of kindergartens and preschools to the halls of faculties that shape the scholars of tomorrow, the architecture of educational spaces must balance structure and flexibility to respond to the needs of students, teacher, and their larger communities.

Based between Tehran, Iran, and New York City, ASA North has emerged as an example of an architectural practice based on malleability and adaptability. Chosen by ArchDaily as part of our 2023 New Practices, ASA North stands at the forefront of melting the boundaries between architecture and art. ArchDaily had the chance to interview Ahmadreza Schricker, its founder delving into the evolution of his life, career, and practice.

In 2020, Ahmadreza Schricker (ASA North) completed the Argo Contemporary Art Museum & Cultural Center design. Previously a 1920s beer distillery in the heart of Tehran, it has now been converted into a contemporary art center and is now the new home of the Pejman Foundation. ASA North is a studio based in Tehran that was chosen by ArchDaily as part of the 2023 New Practices. ArchDaily selects those practicing within the broadest definition of architecture and its exercise to share their innovative, fresh, and forward-thinking mission with the community. In the summer of 2023, the foundation hosted an exhibition featuring selected works from ASA North while documenting the transformation of the Argo Factory. The exhibition explored the studio’s practice, developing a commentary on their projects and their self-awareness.

The Islamic Architecture style has a diverse history, spanning over a millennium, stretching from Western Africa to Europe to Eastern Asia. Beginning in early 7th century Arabia, this form of architecture emerged with the rise of the Islamic civilization. In fact, Al Masjid Al Nabawi, the first Mosque to ever be constructed was built in 622, in Medina, Saudi Arabia. Moreover, early Islamic architecture was influenced by the pre-existing styles around the region, such as Roman, Byzantine, and Persian qualities.