Humans are social beings.The interaction between individuals is an essential part of the human experience and helps improve society as a whole. While architecture plays an important role in promoting spaces for people to meet, exchange and socialize, furniture can be a strategic tool for achieving this goal.
Browsing through our project library, one can find a number of examples of cafes and public spaces where communal tables become a central element in providing a place to meet. In many of these projects, the sinuous design of the tables, with protrusions and recesses, provides not only the possibility of various configurations of chairs for different group sizes but also different uses for the tables themselves, at times as planters, at others as slides or extensions of a workbench.
Many ancient Egyptian, Greek and Islamic religious buildings share a common feature known as hypostyle. Defined as rows of columns that support a roof, this solution has developed in different cultures in different periods of time, which can explain the variety of materials, shapes, sizes and distances between the columns that can be found around the world. Famous examples of the use of this concept are Great Hypostyle Hall (c. 1290–1224 BC), part of the Karnak Temple Complex and one of the most visited monuments of Ancient Egypt, and the Wooden Hypostyle Mosques of Medieval Anatolia (c. 13th and mid-14th centuries), World Heritage Site located in present-day Turkey.
In contemporary architecture, it is possible to see different kinds of examples of how this concept is revived. While some projects use the concept to refer to vernacular architectures that correspond to the same program and use as the proposed building, as is the case with some mosques, others rely on the abstraction of the term through an interpretation that highlights the pillars and their organization in the proposition of the space. In all of them, however, it is clear that the relationship between the hypostyle inspiration and modular architecture is very close, practically intrinsic.
Centered on the development of architectural projects in favelas and peripheries, the work of Coletivo LEVANTE showcases a deep sensitivity to the unique characteristics and nuances of these environments. According to the group, "the recognition of what already exists and is attributed with values lived and earned by the favela residents — landscapes, constructions, identities, and relationships" is what they seek as the raw material for their projects. This approach is evident in projects such as Centro Cultural Lá da Favelinha and House in Pomar do Cafezal, winner of the 2023 Building of the Year Award by ArchDaily.
As another year draws to a close, ArchDaily's team of curators is pleased to present a selection of the best architectural drawings published throughout 2023, without which the projects' appreciation would certainly not be the same.
Architectural representation plays a fundamental role both in the design process - from the very first sketches to the finest construction details - and in its presentation to a wider audience. Thus, during the selection process, we were able to see a rich and varied set of designs that were part of the more than 4,000 project publications this year. We had the difficult task of coming up with the most representative and inspiring ones amongst them.
Las Palmas, Canary Islands. Drone photo by @sebastien.nagy
Fascinating and photogenic, colorful cities often catch the eye not only of the thousands of tourists visiting every year but also of many architects around the world. From an aerial viewpoint - which happens to be how many visitors get their first glimpse of these cities from the window of an airplane - one can see the colorful picture created by the many different shades of roofs and rooftops.
There are many different reasons for this diversity of colors. Some cities use specific colors on roofing as a climate strategy, while others simply have a tradition of painting houses in a certain way. In any case, these colorful cities are unquestionably very visually appealing.
March 8th is celebrated as International Women's Day, a date remembered for years as a symbol of the fight for their rights. However, although many countries have laws establishing equal rights for men and women, gender inequality and all its consequences are still experienced every day by girls and women all around the world. The patriarchal system, rooted in many societies over the centuries, has been responsible for inequality of power between the genders which, in the most extreme cases, results in violence and femicide.
Whether it is for a break, relaxation, or even free wifi, coffee shops tend to host a series of situations that involve more than just enjoying a cup of coffee. A quiet and pleasant place, which in addition to everything else offers a good hot drink, is a great attraction for those looking for a coffee shop to spend a few hours.
In this sense, a landscape project that integrates greenery into these environments can significantly increase the comfort of customers, by easing temperatures and offering a barrier against atmospheric, noise and visual pollution. In addition, after the restrictions imposed by the Covid-19 pandemic, open spaces, with natural ventilation and gardens became priorities for many projects, including coffee shops.
According to a survey by the Brazilian Association for Recycling of Construction and Demolition Waste (ABRECON), there has been an increase in the recycling of construction and demolition waste (C&D) in Brazil in recent years. According to the 2015 report, 21% of the total C&D was recycled in the country that year, while in 2013 the rate was 19%.
The outlook is promising but not yet ideal, and the growth of recycled C&D materials is still considered small. In Brazil, construction waste can represent between 50% and 70% of the total municipal solid waste. This means, we still need to advocate for a more common practice of material recycling and reuse in architecture, especially in Brazil.
As a starting point for architectural projects, the terrain and its topography point out the directions that the distribution of the program can follow. Among them, one solution stands out for the continuity between topography and architecture: lowering the level of construction and advancing the land over the roof. From this roof garden created with the same characteristics as the surroundings, the result gives the impression of an almost non-existent intervention.
The incorporation of the land as an architectural element takes up, in a certain way, the concept of caves, reinforcing an idea of shelter and reception from a hybrid between the initial and natural configuration and the architectural intervention.
Dubrovnik, Croatia. Drone photo by @spencerdavisphoto
Some of the most characteristic features of city squares are related to the presence of people in the space and the purposes they are given, such as places for socializing, sports, tourism, and demonstrations. These different uses, often not foreseen in the project, are closely associated with the ground level, where people can walk around and experience the space. Viewed from an aerial perspective, on the other hand, squares can reveal other aspects related to their architectural design and their placement in the urban context.
As democratizing catalysts, educational spaces play a fundamental role in shaping individuals and entire communities. These places, where students spend a significant amount of time developing their capabilities, skills, and competencies, are more than a background for the promotion of a fundamental right, they are key elements to providing equal opportunities for all.
Open and common facilities, such as schoolyards, courtyards, and auditoriums are great examples of how spaces can encourage students, teachers, parents, and community members to learn with each other in an active dialogue. Flexibility and accessibility are two other key points to promote the democratization of both design and education, as seen in programs that go beyond school time and encourage communities to participate, for example.
Just like hospitals and medical offices, dental clinics are places that tend to bring anxiety and anguish to patients, reactions that can be intensified in an unfriendly and unwelcoming environment. White and neutral environments can bring the notion of asepsis and hygiene, essential requirements for hospital architecture. However, the lack of welcoming elements, such as the use of warmer colors and materials, may also be responsible for causing a certain distance between professionals and patients, in addition to reinforcing the stereotypes attributed to dental clinics.
Whether to mark a change of direction, to highlight its first steps or its own presence in a room, stairs that combine two or more materials tend to draw attention by establishing dialogs between particular characteristics of each material. Concrete, steel and wood are some of the most common choices to compose the structure of stairs due to their high strength and versatility. But, when combined, these different materials expand their individual possibilities and reveal how the design can be tailored to their peculiarities and connections.
The combination of textures, colors, and finishes among materials can provide a number of creative solutions for these elements used for vertical circulation, as shown in LÂM’s Home, by AD+studio and House 9A, by 23o5Studio, characterized by stairs with a sturdy and rough base that meets a light and sleek structure of steps. The opposite composition order, a lighter base that meets a robust set of steps, thrives ingeniously in Luis Carbonell's Casa Chulavista and messina | rivas' Angatuba House, where the light wooden stairs' base is followed by raw concrete steps.
Furniture has a direct impact on the quality of interior design projects. Among other features, its presence blends with the function of the spaces, setting a boundary between them.
An internal space with neutral colors, for example, might highlight certain furniture that, beyond fulfilling their function, also assumes a contemplative profile. These pieces of furniture have become iconic by their design, which, in some cases, were created by great names of architecture that explored this field and drew pieces that represented their style.
Selected the European Capital of Culture in 1994 and Ibero-American Capital of Culture 2017, Lisbon has been the destiny of tourists from many parts of the world over the past years. With thriving cultural programming, the city hosts important events related to art, music, movies and architecture. The Lisbon Architecture Trienniale and the Open House – event that coordinates free guided tours to remarkable buildings in cities around the world – are some of these relevant events in the architectural field, responsible to disseminate, discuss and reflect on issues of the area.
Besides programs related to architecture, in recent years, Lisbon has seen the emergence of new facilities, like museums, cultural centers and theaters, besides the requalification of public spaces. The construction or regeneration of these structures, directly or indirectly related to the cultural city movement, can be controversial, raising issues such as gentrification and the increase of mass tourism.
From celebrations of important conquests to expressions of wishes for someone who is sick to get better, the act of gifting someone (or oneself) with flowers is present at different stages of our lives and can carry numerous meanings. This kind of ritual materializes the expression of a feeling and, in many cultures, it is a delicate and sensitive choice, which usually takes into account the selection of specific species for each event.
For this reason, flower shops and stores specializing in flower arrangements are often places where the diversity of species is arranged in order to make it possible to choose the right arrangement or bouquet of flowers. In this sense, many florists take advantage of spatial organizations and design elements that seek to enhance the natural beauty of flowers. Some examples of this strategy are the use of more neutral tones on the surfaces, in contrast to the colors of the different species, and the use of innovative displays in dialogue with the arrangements.
Casa Collage / S+PS Architects. Image Cortesia de S+PS Architects
Reform and adaptation of spaces represent a significant parcel of projects ordered to architecture firms, and reuse of preexisting structures is not newness. Functions and needs change over time, therefore adaptations are required to meet new demands. However, no matter how much the maintenance of a building is, in most cases, preferred in economic and ecological sense to its demolition and a new construction from the beginning, the logic of the reuse of a space does not usually extend to its parts that become, thus, rubble.
According to data from CRED (Centre for Research on the Epidemiology of Disasters) and UNISDR (UN Office for Disaster Risk Reduction), in a report released in 2016, the number of disasters related to the climate change has duplicated in the last forty years. The need for temporary shelters for homeless people is, as well as an effect of the climate crisis, is also one of the consequences of the disorderly growth of cities, which leads to a significant part of the world population living in vulnerable conditions due to disasters.
.jpg?1600352094 "Flamboyant Residence / Perkins+Will. Image: © Nelson Kon")
