Former ArchDaily's Managing Editor. BA in Architecture from Newcastle University, and interested in how overlooked elements of architectural culture —from the media to competitions to procurement processes can alter the designs we end up with.
The Wall Street Journal recently detailed the complex history of E-1027, the house which Eileen Gray designed with her lover Jean Badovici in Southern France: from the murals which Le Corbusier painted on the walls (without Gray's permission) to the murder that happened there in 1996 to the restoration that has been going on for over a decade (a supposed "massacre" of the original). You can read the full article here.
We've recently covered the topic of prison design on a number of occasions - more specifically the work of Architects, Designers and Planners for Social Responsibility, led by Raphael Sperry. ADPSR is campaigning to have the AIA forbid its members from designing prisons; however, we have previously questioned the effectiveness of this tactic, with other professionals, such as engineers, often willing to design prisons in the absence of architects. In another article on the topic, we suggested that the problem lies not with the ethics of architects, but with the US prison system itself.
This raised the question of how architects might actually change the system - are we stuck with the political landscape we are given, or are we capable of leveraging our expertise to make positive changes to society?
It turns out that Deanna VanBuren of FOURM Design Studio is doing exactly that. Through her designs, as well as workshops and events with the public and with prisoners, VanBuren is championing restorative justice: a form of incarceration centered around rehabilitation rather than punishment. We interviewed VanBuren to find out how she is encouraging people to accept restorative justice above punishment.
Read on after the break for the full interview.
The National Building Museum has awarded the 15th Vincent Scully Prize to Joshua David and Robert Hammond, the founders of the High Line in New York. In 1999 the pair formed the non-profit organisation Friends of the High Line; this award recognizing their efforts in transforming the abandoned structure is the latest accolade for the internationally celebrated project. David and Hammond were also awarded the Jane Jacobs Medal in 2010.
Read more about the award and the High Line after the break.
As architects we generally see ourselves as providers of new buildings; we also often see architecture as a way to remedy social ills. For many architects, when presented with a social problem, we try to think of a design for a building which addresses it. But what happens when the problem itself is a surplus of buildings?
This is exactly the situation that Detroit finds itself in today. Thanks to the rapid decline in population since its heyday in the mid 20th Century, the City of Detroit is home to some 78,000 vacant structures. While politicians worldwide win public support by promising new construction and growth, Detroit Mayor Dave Bing proudly announced his plans to demolish 10,000 empty homes before the end of his term.
The process will be inherently wasteful. Fortunately, some are making the best of the situation, with sustainable initiatives that create jobs and economic benefits for residents. Read on after the break to find out how.
A shadow hangs over the hills of Los Angeles, threatening its modernist architecture. In this article on the Daily Beast, Andrew Romano investigates the trend for the 'McMansions' which are now popular among LA's super-rich, and the risk that they pose to the style that "many believe was perfected in Southern California" - the hillside modernist home. But it's not all bad news: he finds that the Schairer House, designed by Gregory Ain in 1949 is now being restored, and Beverly Hills last year past its first preservation laws. Read the full article here.
In this interview with BD, Richard J Williams discusses his recent book "Sex and Buildings," which analyses how some places, such as his home town of Edinburgh, "wear their morality on their sleeve," while other places. such as Brazil, have an idea that "modernism can be sexy." He also talks about the US attitudes to sex and modernism, bringing up the 'Playboy townhouse' of the 1960s and the TV show Mad Men, as well as architects Richard Neutra, Rudolph Schindler and John Portman. You can read the full interview here.
In this article in the Wall Street Journal, a number of key players discuss the ongoing work to transform "the most elegant urban boulevard in the US", Philadelphia's Benjamin Franklin Parkway. The parkway has been on a long journey from boulevard to highway, and thanks to a new plan entitled "More Park, Less Way", it could be on its way back, with a variety of plans to change the Parkway into a vibrant, more densely populated series of spaces with more amenities for local residents. You can read the full article here.
In this article in the New York Observer, Stephen Jacob Smith discusses the future of Penn Station, now that Madison Square Garden's permit has been extended by just 10 years. Smith thinks that the grand redesigns of the station itself are pure vanity - considering the poor organization of the current station and the competing interests of the stakeholders involved - and proposes that there are better improvements to be had in unseen infrastructure improvements rather than show-stopping architecture. Read the full article here.
Three months ago, Commander Chris Hadfield captured the attention of millions by recording a cover of David Bowie's Space Oddity - entirely on board the International Space Station. The video was the culmination of five months of social media efforts to raise awareness and interest in current space programs worldwide, and it certainly seems that Hadfield succeeded in piquing the interest of at least a few future astronauts.
But for architects, something else probably stands out in the video: the ISS seems an extremely clinical and uncomfortable environment to live in for five months. The reasons for this are obvious: it is a highly controlled engineered environment; sending luxuries into orbit is expensive; the astronauts are there to work, and after all they are trained to cope in stressful and uncomfortable environments. However, with proposals for longer missions, such as a manned trip to Mars, as well as the continued promise of commercial spaceflight on the horizon, the design of living spaces outside of our own planet may soon become an issue which architects must get involved in.
Read on to find out about the challenges of architecture in space, after the break.
After initially getting the go-ahead earlier this year, the design for the Maze Peace Centre in Northern Ireland, designed by Daniel Libeskind in collaboration with McAdam Architects, was dealt a major blow last week, when First Minister of Northern Ireland Peter Robinson retracted his support for the controversial building, saying that it would be wrong to continue with the build without achieving a consensus.
Read on after the break to find out more about the controversy.
Since Baron Georges-Eugène Haussmann began his comprehensive redesign of central Paris in the mid-nineteenth century, the Hausmann Plan has been a topic of discussion for architects, planners and social theorists. The network of wide, open boulevards lined by regular (and regulated) neoclassical buildings has come in and out of favor over the years, and now is one of the key factors in the city's popular reputation as a beautiful city.
Now though, a different set of academics have entered the conversation to offer a new way of looking at the Haussmann Plan: a group of mathematical physicists from the CEA Institute of Theoretical Physics in Gif-sur-Yvette have collaborated with a group of social scientists to analyze the changes of the Haussmann Plan using sophisticated network theory, as reported by BBC Worldwide.
Find out about their study's findings after the break
Back for its fourth year, the creative camp Hello Wood was held last month in Hungary, set in the countryside north of Lake Balaton. At Hello Wood, 120 young designers and architects worked with leading experts to create installations which approach issues of society and community in architecture, ideas encompassed by this year's motto "Step Closer!" Twelve teams had one week to create these installations using timber as their primary material, with the projects being judged and a winner awarded at the end of the week.
Read on to find out about the installations, and which one was judged the winner, after the break
Gensler, who recently topped out on the world's second tallest skyscraper in Shanghai, have just released a report outlining the keys to designing a successful workplace. Using their custom 'Workplace Performance Index' they surveyed 2035 office workers in the US to find out what makes employees happy and productive in their workplace.
One surprising result which they uncovered is that, in opposition to the trend of workplaces being designed to encourage collaboration, workers are actually spending more time on focused, individual tasks than they were 5 years ago. Consequently, over 50% of respondents said that they were distracted by others when they needed to focus. What's more, the survey found that when employees could not focus individually, collaborative work was also less productive.
Read on after the break to find out more results from the survey
Having wrapped up their three part series And the Winner is...?, The Architecture Foundation has launched another trio of evening discussions, this time around the ever-encroaching commercial values which are increasingly threatening cultural venues in London. The series, entitled Culture + Commerce, will explore how culture can fight against commercial homogeneity in the face of reduced public funding.
Beyond 2012 is a new website launched by the British Design Council to tell the story of how the London 2012 Olympic Games were designed. The site explores how the best British designers were brought in to create the products, fashion, graphics, digital design, and of course the architecture that made the 2012 games a fantastic worldwide spectacle. See the full website here.
The Architects' Journal recently published an article pitting five competing views of teaching sustainability against one another. The opinions come from a range of backgrounds, including engineers, tutors and landscape architects, and discuss how architecture students should be taught to design in a sustainable way - or if they should be taught this at all.
The competing opinions are telling in the issues that they highlight, demonstrating how complex the issue of sustainability has become, and how it fits into the wider context of architectural education.
Read the different reactions to the issue of sustainability in education after the break
The results of RIBA Journal's recent drawing competition, Eye Line, are in. Top of the pile was Tom Noonan's drawing "Reforestation of the Thames Estuary," part of his Master's Thesis project at the Bartlett School of Architecture; however, the range of styles and content mean that there's something for everyone in the top ten. Read the full article and see all the drawings here.
A video game in which you can design your own high-security prison (execution chambers and all) prompts CC Sullivan, in a thoughtful post on Smart Planet, to discuss the implications of architects designing prisons. You can read the full article here, and read ArchDaily's previous coverage on this issue, "The Architecture of Incarceration," here.
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