Oscar Lopez

BROWSE ALL FROM THIS AUTHOR HERE

The Architecture and Transformation of elBulli / From World's Best Restaurant To Culinary Research Foundation

The Architecture and Transformation of elBulli / From World's Best Restaurant To Culinary Research Foundation  - Image 91 of 4
© Maribel Ruiz de Erenchun

Food is as much about architecture as it is the concept of taste. With food comes the sum of its parts to create the whole, the great attention to detail and the emotion of first bite like that of entering a memorable space for the first time.

Jorge Louis Borges says, “The taste of the apple lies in the contact of the fruit with the palate, in the fruit itself, in a similar way poetry lies in the meaning of the poem and the reader, not in the lines of symbols printed on the pages of a book. What is essential is the aesthetic act, the thrill, the almost physical emotion that comes with each reading.”

Ferran Adria, the master chef of elBulli, which has religiously been called the Best Restaurant in the World, has a heideggerian approach to food, cooking, and the physical act of eating. Similar to that as architects with the same heideggerian approach and the concepts of material, making, and the experiencing of space. Like Jorge Louis Borges and heideggerian architects, Ferran Adria crosses the realm of cooking and enters the presence of wholeness of experience. Transforming the traditional means of eating and elevating them to a memorable moment where memory, experience and taste meet.

Continue reading for more in-depth information.

The Architecture and Transformation of elBulli / From World's Best Restaurant To Culinary Research Foundation  - Image 90 of 4The Architecture and Transformation of elBulli / From World's Best Restaurant To Culinary Research Foundation  - Image 89 of 4The Architecture and Transformation of elBulli / From World's Best Restaurant To Culinary Research Foundation  - Image 83 of 4The Architecture and Transformation of elBulli / From World's Best Restaurant To Culinary Research Foundation  - Image 88 of 4The Architecture and Transformation of elBulli / From World's Best Restaurant To Culinary Research Foundation  - More Images+ 247

Tucson-based Architects Line and Space Wins 2011 AIA-Arizona Architectural Firm of the Year Award

Tucson-based Architects Line and Space Wins 2011 AIA-Arizona Architectural Firm of the Year Award - Featured Image
San Diego National Wildlife Refuge – © Mike Torrey

Architecture firm Line and Space, has been selected as the 2011 Architectural Firm of the Year by the Arizona Chapter of the American Institute of Architects (AIA). The award recognizes a firm that has produced distinguished architecture for over ten years, has made significant contributions to the profession and the community, and has transcended local boundaries in making these contributions. Awarded by an out of state jury comprised of architects, the honor was given to Line and Space at the Institute’s Celebrate Architecture Awards Gala held in Phoenix on October 22.

AIAS FORUM 2011 To Be Held In Sunny Phoenix Arizona

AIAS FORUM 2011 To Be Held In Sunny Phoenix Arizona - Image 7 of 4
© AIAS

The annual AIAS FORUM meeting for 2011 will take a break from the snow of the past two years (2009 Minnesota, 2010 Toronto) and be held in sunny downtown Phoenix, Arizona. FORUM is the annual meeting of the AIAS and the premier global gathering of architecture and design students. The conference provides students with the opportunity to learn about important issues facing architectural education and the profession, to meet students, educators, and professionals with common interests, and to interact with some of today’s leading architects through keynote addresses, tours, workshops and seminars, last years FORUM was attended by over 1,000 young and ambitious architecture students and AIAS members. This years Keynote Speakers will be Jeffrey Inaba, founder of C-Lab and former project manager with Rem Koolhaas and OMA, Brad Lancaster, author of www.harvestingrainwater.com, and University of Californa, San Diego architect and professor Teddy Cruz.

BDP Architects Completes Russian Masterplan in Samara

BDP Architects Completes Russian Masterplan in Samara - Image 3 of 4
© BDP Architects

BDP has completed a masterplan study in Samara, the sixth largest city in Russia, won against strong international competition earlier this year. BDP was masterplanner, architect, landscape architect and sustainability consultant supported by WSP highways and Davis Langdon cost consultant for client Samara-Center, reuniting the same core masterplan team as the Stirling Prize shortlisted Liverpool One Masterplan.

Manifestations : The Immediate Future of 3D Printing Buildings and Materials Science

Manifestations : The Immediate Future of 3D Printing Buildings and Materials Science - Image 18 of 4
© Markus Kayser

The future potential to build and realize the concepts of the human mind lie just there, within the potential of the human mind. For years the architectural world has been struggling to keep up with the ability of pen-to-paper and the recent advents in NURB surface computer modeling, algorithmic and parametric architecture. This in-return has led to the  building and technology industry playing catch-up with the recent advances in 3D architectural visualizations. In fact, as computer-aided design invaded these practices in the 1980s, radically transforming their generative foundations and productive capacities, architecture found itself most out-of-step and least alert, immersed in ideological and tautological debates and adrift in a realm of referents severed from material production.

Zaha Hadid Architects Launch iPhone & iPad App

Zaha Hadid Architects Launch iPhone & iPad App - Image 4 of 4
© Zaha Hadid Architects

On October 2nd Zaha Hadid Architects launched their much anticipated (to us architecture nerds anyways) iPhone and iPad App, made available through Apple and iTunes. This new App will allow users to browse through ZHA current portfolio of design and architecture. In a future update to the App there will be exclusive access and insight into some of the award winning buildings in the form of interactive guides (coming soon) to be used when visiting Zaha Hadid’s buildings.

Saemangum Exhibition Center / poly.m.ur

Saemangum Exhibition Center / poly.m.ur - Image 8 of 4
© poly.m.ur

Saemangum is the name for the newly reclaimed area on the west coast of Korea by the architecture and urbanism firm poly.m.ur. It has been the country’s most anticipated reclamation project of recent years and promises enormous new opportunities for cultural commercial developments in the region. The brief was to provide an exhibition space to commemorate the completion of the work and showcase the visions and plans for this new land. The concept of the design was inspired by the lost mud flat in the area as the result of reclamation. Analogous to the mud flat, the building was designed to act as a ‘living field’, which breathe environment, programs, and activities.

A Musical Interlude with Simon & Garfunkel / So Long, Frank Lloyd Wright

For those of you who may not know who Simon & Garfunkel are (don’t worry I wouldn’t admit to it either), they were an American duo consisting of singer-songwriter Paul Simon and singer Art Garfunkel. Most notably known for their hit single “The Sound of Silence” and also for their music being featured in the film The Graduate which featured another one of their hits “Mrs. Robinson”.

Jeju World Natural Heritage Center / poly.m.ur

Jeju World Natural Heritage Center / poly.m.ur - Image 4 of 4
© poly.m.ur

Jeju is an island formed by volcanic activities and celebration of its distinctive geological features was one of the main objectives of the brief. The design started from answering the brief which explicitly requested that the scheme to symbolise the volcanic landscape of Jeju consists of caves and mounds. poly.m.ur viewed these two geological feature in terms of their morphological forma-tions – one as constructive space (volcanic mounds) and the other one as subtractive space (volcanic caves), and were repre-sented in the formation of the massing of our scheme.

Jeju University Cultural Heritage Center / poly.m.ur

Jeju University Cultural Heritage Center / poly.m.ur - Image 3 of 4
© poly.m.ur

The design of the new Jeju Cultural Heritage Centre started from an attempt to interpret the cultural value of the traditional artifacts that are to be exhibited here with contemporary view. poly.m.ur was intrigued by the fact that these artifacts are exemplary in showing the influence of regional material on the life of early settlers, and they wanted their proposal to be seen as an object which can symbolize the local characteristics shaped by the abundant availability of basalt as raw material and the indigenous techniques of tool making.

Bernhard Leitner: Sound Spaces

Bernhard Leitner: Sound Spaces - Image 52 of 4
© Bernhard Leitner

“I can hear with my knee better than with my calves.” This statement made by Bernhard Leitner, which initially seems absurd, can be explained in light of an interest that he still pursues today with unbroken passion and meticulousness: the study of the relationship between sound, space, and body. Since the late 1960s, Bernhard Leitner has been working in the realm between architecture, sculpture, and music, conceiving of sounds as constructive material, as architectural elements that allow a space to emerge. Sounds move with various speeds through a space, they rise and fall, resonate back and forth, and bridge dynamic, constantly changing spatial bodies within the static limits of the architectural framework. Idiosyncratic spaces emerge that cannot be fixed visually and are impossible to survey from the outside, audible spaces that can be felt with the entire body. Leitner speaks of “corporeal” hearing, whereby acoustic perception not only takes place by way of the ears, but through the entire body, and each part of the body can hear differently.

- George Kargl, Fine Arts Vienna

Bernhard Leitner: Sound Spaces - Image 51 of 4Bernhard Leitner: Sound Spaces - Image 50 of 4Bernhard Leitner: Sound Spaces - Image 49 of 4Bernhard Leitner: Sound Spaces - Image 1 of 4Bernhard Leitner: Sound Spaces - More Images+ 98

Batman's rumored new home for The Dark Knight Rises : Welcome to the Batcave (maybe)!

Batman's rumored new home for The Dark Knight Rises : Welcome to the Batcave (maybe)! - Image 5 of 4
© Nepotu.ro

Batman’s rumored new home in the upcoming The Dark Knight Rises is none other than the long awaited arrival of the batcave. Located in Turda Romania, the abandoned Turda Salt Mine is flooding the internet with buzz that this will be the location where filming will take place for the batcave. Leaving fanboy’s everywhere lusting for more information that this is in fact where batman will store his batsuit, batmobile, and all of his other gadgets. While filming for The Dark Knight Rises has already begun, it is with high hopes that the Turda Salt Mine will be added to the filming locations and serve as batmans’s new home.

Batman's rumored new home for The Dark Knight Rises : Welcome to the Batcave (maybe)! - Image 16 of 4Batman's rumored new home for The Dark Knight Rises : Welcome to the Batcave (maybe)! - Image 13 of 4Batman's rumored new home for The Dark Knight Rises : Welcome to the Batcave (maybe)! - Image 15 of 4Batman's rumored new home for The Dark Knight Rises : Welcome to the Batcave (maybe)! - Image 3 of 4Batman's rumored new home for The Dark Knight Rises : Welcome to the Batcave (maybe)! - More Images+ 12

Paolo Soleri's Bridge Design Collection: Connecting Metaphor

Paolo Soleri's Bridge Design Collection: Connecting Metaphor   - Image 21 of 4
© Cosanti Foundation

“Of all things that are man-made, bridges are, with dams, the most “structural,” single-minded, and imposing. As connectors at a breaking point, they have a heroic force that is aided by a challenging structuralism. As a strand of continuity in a non-continuum, the bridge is full of implied meanings. It is the opposite of devisiveness, separation, isolation, irretrievability, loss, segregation, abandonment. To bridge is as cogent in the psychic realm as it is in the physical world. The bridge is a symbol of confidence and trust. It is a communications medium as much as a connector.”

-Paolo Soleri, 1970, from “The Sketchbooks of Paolo Soleri”, published by MIT Press, 1971

Paolo Soleri's Arcosanti : The City in the Image of Man

Paolo Soleri's Arcosanti : The City in the Image of Man - Image 34 of 4
Paolo Soleri, detail, Mesa City Market (Arts and Crafts), 1961. Pencil, Charcoal, pastel on paper. Collection of the Cosanti Foundation. © Paolo Soleri. Photo: Cosanti Foundation/Soleri Archives/David DeGomez

[OVER]fill / Architekton

[OVER]fill / Architekton - Image 9 of 4
© Architekton

The Scottsdale Museum of Contemporary Art Flip a Strip competition challenged designers around the country to re-imagine the suburban strip mall as an urban typology, proposing an alternative to the ubiquitous developments which have emerged as an economic response to a rapidly outward expanding residential market and the availability of inexpensive land.

AD Classics: Expo '58 + Philips Pavilion / Le Corbusier and Iannis Xenakis

AD Classics: Expo '58 + Philips Pavilion / Le Corbusier and Iannis Xenakis - Image 30 of 4
© Wikimedia commons / wouter hagens

In 1956, preparations had begun for the 1958 World’s Fair in Brussels. This was to be the first World’s Fair held since the end of World War II, the concept behind the Expo was to celebrate the rejuvenation of civilization from the destruction of war through the use of technology. This World Fair is best known for the musical advances that was combined with architecture, creating a gestalt through an experiential encounter where body meets sound and space.

AD Classics: Expo '58 + Philips Pavilion / Le Corbusier and Iannis Xenakis - Image 29 of 4AD Classics: Expo '58 + Philips Pavilion / Le Corbusier and Iannis Xenakis - Image 4 of 4AD Classics: Expo '58 + Philips Pavilion / Le Corbusier and Iannis Xenakis - Image 27 of 4AD Classics: Expo '58 + Philips Pavilion / Le Corbusier and Iannis Xenakis - Image 26 of 4AD Classics: Expo '58 + Philips Pavilion / Le Corbusier and Iannis Xenakis - More Images+ 63

Roth House / Debartolo Architects

Roth House / Debartolo Architects - Featured Image
© Debartolo Architects

The studio of Debartolo Architects is a unique architectural design firm in that they are passionately committed to architectural excellence parallel with their commitment to serving clients and creating relevant and functionally-tuned environments for people. Founded in 1996 as a collaboration of the father-son team, the firm is built on the rich history of Jack Debartolo Jr. FAIA’s 22-year partnership with Anderson DeBartolo Pan, Inc. Through creativity, innovation and careful listening, their team has become one of the leading studios in creating highly-custom, well-tuned built-environments that respond to their client, context, culture and community.

Arizona State University School of Earth and Space Exploration (ISTB4) / Ehrlich Architects

Arizona State University School of Earth and Space Exploration (ISTB4) / Ehrlich Architects  - Image 10 of 4
© Ehrlich Architects

Arizona State University’s new Interdisciplinary Science and Technology Building 4 (ISTB 4) was designed to be a progressive home for ASU’s School of Earth and Space Exploration (SESE) and some departments from the Fulton Schools of Engineering (FSE). At 294,000 sq.-ft., this seven-story “smart” structure will be the largest research facility in the history of the university. In addition to cutting-edge laboratories and research offices, ISTB 4 will house extensive public outreach and K-12 education spaces designed to engage the Greater Phoenix community in earth and space exploration. Ehrlich Architects’ new Arizona State University School of Earth and Space Exploration is a clearly organized laboratory building that will enhance the research, science and educational programs housed within.