Are you an avid lover of the High Line? If you’ve been keeping up with our coverage of the project by James Corner Field Operations and DS+R, then you have been following the development of the High Line’s different sections – such as the early stages for a the design of the Gansevoort entrance and elevated street ampitheater of Stage One, and the picture frame and tree fly over of Stage Two. And, yet the amazing public space is still developing further. Friends of the High Line are presenting initial design concepts for the rail yards section of the High Line, which requires new zoning that would preserve the entire rail yards section, including the Spur, as public open space. At a community input meeting on Monday, March 12, the High Line design team will share their visions and answer questions about the soon-to-be newest part of the project.

More information about the meeting after the break.

Newark-native Richard Meier has not forgotten his roots. Established by the Puritans as a colony to follow the rules of the church in the 17th century, Newark evolved into a prosperous industrial center during the 19th century, experienced a harsh period of industrial and social decline after WWII, and is currently seeking to reestablish its reputation as a renewed urban metropolis. Meier has supported such efforts to restore the city’s vitality, including chairing an international design competition for the creation of a Visitors’ Center for Newark (check out some proposals we’ve previously featured here). Back in 2010, Meier & Partners shared their vision for a new Teachers Village for the city – a four block-long mixed-use development aimed at attracting young professionals who work in the educational system to reside in the downtown area. This past week, we are happy to share that the Village, which includes two school buildings with three charter schools and a daycare center, 70,000 sqf for retail space, in addition to the rental apartments for Newark teachers, has broken ground.

More about the project after the break.

Last September, we attended MoMA’s PS 1 Open Studio event to catch a glimpse of the collaborative projects of five multidisciplinary teams focusing on how to re-think, re-organize and re-energize the concept of an American suburb in the wake of the foreclosure crisis. When we visited, the teams were in the final stages of their designs and preparing to send their visions to the Museum of Modern Art for the exhibition “Foreclosed: Rehousing the American Dream. One of the team’s we talked with was WORK Architecture Company about their Nature-City proposal, an extension of the suburb whichhas been designed in an abstracted way to serve as a plug in model to create cities elsewhere.

More about Nature-City after the break.

Weiss/Manfredi has just been selected to transform the urban campus of the National Geographic Headquarters in Washington, D.C. following a competition among top firms such as Diller Scofidio + Renfro, Diamond Schmitt Architects, and Steven Holl Architects. The project will establish new connections among the diverse collection of buildings that span more than a century on the Washington D.C. site and create a new expression for National Geographic’s international programs, museum, media, and research activities.

More after the break.

Landscape architect, James Corner, has a way of not only designing captivating landscapes, but making places where people want to be. While thousands have experienced his transformation of New York’s industrial rail line, Corner’s impact is also evident in major metropolises on an international level as his competition entries and built work inspire a sense of urban renewal and restore confidence in their settings. In fact, Fast Company has recently named James Corner Field Operations as one of 50 most innovative companies of the world for “creating intimate green spaces out of industrial urban blight.”

More about JCFO after the break.

Check out Great Spaces’ clip on the Brooklyn Bridge, one of New York’s amazing infrastructure feats. The construction of the bridge was a family affair as it was designed by John Roebling in the late 1860s and then completed by his son and daughter-in-law. One must imagine New York’s “skyline” of the 1800s to fully understand the innovation and the magnitude of such a massive project. For more about Roebling’s bridge, be sure to view our AD Classics coverage.

When the statistics showed architecture as the field of study where recent graduates had the highest unemployment rate, some suggested that future students ought to pursue different educational backgrounds. Courtney Lukitsch has shared her response to such a claim by defending the merits of an architecture education. ArchDaily reaches a wide range of readers – from established professions to students just entering the field – and we’d like to hear your thoughts on the value of pursuing an architecture education.

“Recently published reports about education degrees ‘not to pursue’ in architecture, design and art, made the rounds in the national press and A&D industry, raising eyebrows and demanding closer scrutiny.  Needless to say, this news spread like wildfire on social platforms such as Facebook and twitter, oddly to scant commentary among top-tier critics, academics and educators, architects and designers, a decidedly vocal and opinionated group of incredibly well educated professionals.”

Read the rest of Lukitsch’s article after the break. 

We have been keeping close watch on the progress of Barclays Center, SHoP’s 650,000+ stadium for Brooklyn at Atlantic Yards. The project has an interesting history as the client, Bruce Ratner, originally looked to Gehry to design an urban solution and iconic image for the 22 acre site, prior to teaming with Ellerbe Becket and SHoP. As we’ve reported earlier, SHoP’s response has developed to become a sweeping pre-fabricated volume, with a perforated latticework steel skin and a transparent ground level. Photographer Roger Edwards has shared some recent photos with us of the construction process as the building is quickly beginning to take shape.

Check out more photos after the break.

Just last week, Mayor Bloomberg and City Council Speaker Christine Quinn enacted 29 new recommendations of the Green Codes Task Force that will provide the proper foundation for New York to meet the aggressive PlanNYC Goals for 2030. The impact of these new codes is estimated to reduce greenhouse gas emissions by 5 percent; lower the energy costs for lighting by 10 percent; save 30 billion gallons of water through better plumbing regulations; treat 15 million gallons of toxic construction water; recycle 100,000 tons of asphalt; and save $400 million in overall energy costs. The implementation of such codes is the result of the formation of the NYC Green Codes Task Force, an organization led by Urban Green Council, that proposed over 100 recommendations in 2010 to address a wide range of sustainable issues; and, in the two years since that report, the Mayor’s Office and City Council have made 29 of those recommendations law, and are currently working to codify 8 others.

More about the new building codes after the break. 

For their honorable mention competition entry, Betillon/Dorval-Bory have attempted to create a new architectural language rooted in climate analysis for Fundecor, a non-governmental organization focused on environmental preservation. The procedure for creating the project is largely about understanding environmental systems and then allowing the building to respond and support those technical aspects for the desired result. As such, the architecture is “not trying to hide in a neo-vernacular posture, but celebrates its radicalism in aid of its atmospheric functioning.”

More about the competition entry after the break.

Houston’s Museum of Fine Arts, the leading cultural institution of the region, has recently selected Steven Holl Architects to design a new museum building to support its collections, exhibitions, and various educational programs. After a comprehensive international competition, MFAH asked Steven Holl, Snøhetta, and Morphosis to develop site-specific concepts for the planned expansion. The jury unanimously chose Holl as his strong portfolio of built museums, such as the Nelson-Atkins Museum of Art and the recently finished Cité de l’Océan et du Surf, display a sense of elegance and clarity much desired by the MFAH.

 More about the museum after the break.

Earlier this week, we shared a great clip of a comparison video betwen Lady Gaga and SANAA’s new Museum – if the comparison has you scratching your head, be sure to check out the video! Great Spaces has also made a short video of UNStudio’s Amsterdam Pavilion. Upon its opening back in the summer of 2009, we had the opportunity to interview van Berkel about his inspiration for the design. Since then, the landscape and hardscape around the pavilion have been completed, giving it a stronger presence in front of the Staten Island Ferry terminal as it seems more integrated into the swirls of the bike and pedestrian paths. Thanks to Delaine Isaac for sharing the clip.

First Run Features

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Special thanks to our readers Danielle Bakkes, Tjeerd Hermsen, Rudi Koster, Viet Le, Wouter Rooijackers and Kor Zijnstra from the Academy of Architecture Arnhem for sharing their funky video on the Ronchamp Chapel with us. The short film was compiled after the students completed a workshop at the Chapel back in 2007. What do you think of the video’s mystical spin?

Watch Thomas Leeser of LEESER Architecture share some insight into what architecture means and how his firm expresses that philosophy. One of our favorite lines is when Leeser stated, “We are not architects with a particular style; we are architects with a particular message.” The clip shares some background pertaining to Leeser’s Museum of Moving Image in Astoria, New York that exemplifies the firm’s idea of a changing continuous media surface and ties the conceptual understanding between film and architecture. What are your thoughts on Leeser’s closing comment when talking about the Bric media center and Urban Glass project – “Our work can influence and change the world around us, there is a really impact…it’s not just like another building” – perhaps, not just in terms of Leeser’s work, but for the field of architecture at large.

The destruction of the Mercado de la Encarnacion in Seville left a huge void in the urban character of the city center which remained unfilled for over thirty years. The market enriched the city with life, and with its absence, the vitality of the Plaza de la Encarnacion was soon challenged by the negative implications of economic downturn. In April of 2011, Jürgen Mayer H and Arup teamed to complete their solution for Seville’s central square – an architecture that brings a contemporary spirit to such a historical and traditional space. Entitled Metropol Parasol, the massive timber structure (which is one of the largest timber structures built in the world) draws residents and visitors back to the city center as its striking aesthetic provides a variety of markets and restaurants bounded by the dynamic shape of the parasols. We enjoyed the video as it illustrates the impact architecture can bring economically and socially to enrich even one of the most established city centers in the world. The ability for the design team to look toward the future allows Seville to preserve its historic cultural prowress while not limiting itself for future greatness. Special thanks to Marina from Arup for sharing the video with us!

Check out more images of the project after the break, and be sure to read our previous coverage on the project.

Last summer, we were big advocators for the AIA’s innovative idea to establish a database of stalled projects. As we shared earlier, such a network would allow potential investors to finance halted projects deemed “credit-worthy”; thus, projects that may not acquire the necessary financial backing due to the lack of available credit may be able to be built thanks to public/anonymous investors. This initiative, which has been in effect for a mere 2 and a half months, could be a great opportunity for entreprenauial architects as the database provides a perfect platform for information and interaction. So far, the AIA reported that the database contains 36 projects worth approximately $1.2 billion with 50 investors – and those numbers are only expected to increase as efforts of the initiative are more publicly known. “This effort by the AIA to match projects with investors has no precedent we know of, and so we have to be pleased with the development of the database so far,” said AIA President Jeff Potter, FAIA. “We won’t be satisfied, however, until we see deals being consummated at a rapid pace as a result of our efforts.”

More about the database after the break.