One thousand nine hundred and ninety: the percentage by which the $3 billion Montreal Olympic Stadium - a project designated only $148 million in 1973 - exceeded its original budget. Ten: the number of years that the Sydney Opera House was over its deadline. Twenty-four: the number of projects included in Monumental Budget Busters, an interactive infographic ranking an array of works - ranging from the International Space Station to the Sochi Olympics - from smallest to largest in cost and time overruns. The list includes infrastructure, architecture, and governmental projects with budget overruns ranging from $210 million to $68 billion. These costs beg the question - does the end justify the means? Find out with the interactive infographic after the break.
When you abandon the countryside in favour of the city, what do you leave behind? In a recent essay for Icon Magazine, OMA co-founder Rem Koolhaas deliberates on the intersection between the two, arguing that "our current obsession with only the city is highly irresponsible because you cannot understand the city without understanding the countryside."
The USA's tallest building shoulders one of the nation's greatest challenges: paying tribute to lives lost in one of the country's greatest tragedies. One World Trade Center in lower Manhattan has yet to be completed and yet has still recently been condemned by a number of critics, who cite the former "Freedom Tower" as an inspirational failure. Thirteen years after the attacks, the wider site at ground zero also remains plagued by red tape and bureaucratic delays, unfinished and as-yet-unbuilt World Trade Centers, Calatrava's $5B transit hub, and an absence of reverence, according to critics. Read some of the most potent reviews of the new World Trade Center site from the press in our compilation after the break.
Frank Gehry, Daniel Libeskind, and Rem Koolhaas walk into a bar. What do they order? CAD Drinks, of course. It's a Singapore Sling like you have never seen before: drawn to scale, in elevation, and divided meticulously by content - ice cubes and orange slice included. Alcoholic drinks are colour coded, inventoried, organized and rendered in this downloadable DWG for Autocad. Architects rejoice: happy hour is that much closer to lunch hour.
Proposed design of eastern end. Image Courtesy of Alexandra Palace
The soaring glass roofs of London's Alexandra Palace are about to receive a major overhaul thanks to a £23.8m ($38.6m USD) fundraising project focused on the revitalization of the 139 year old palace. Images of Feilden Clegg Bradley Studios 2014 revitalization are on display for the first time in an exhibition showcasing the upcoming changes to the public palace, including extensive renovations to reopen derelict sections of the building. Find out more about the exhibition after the break.
Architects have been known to dabble in product design, but what about board game design? A team of Washington, D.C.-based architects, urban planners, and designers have come together to create a game with a comedic (yet somewhat serious) take on the nuances of city living. Cards Against Urbanity, a parody on the wildly successful Cards Against Humanity, is simultaneously a critical and satirical game designed to open a dialogue about the development of cities among those who influence them.
This year at the Venice Biennale, not all of the exhibitions are visible. Ozel Office of Los Angeles have "hacked" the Venice Biennale with the help of some major architecture firms: Asymptote Architecture, Greg Lynn Form, Neil M. Denari Architects, Murmur, and Oosterhuis Lenard. Together, these firms have created a rogue digital addition to the Biennale only accessible through a virtual portal revealing a world of levitating models, movable objects, and much more, activated by physical components of the Koolhaas-curated central pavilion.
Find out how you can hack the Biennale after the break.
In Boston, playgrounds are no longer just for kids. Twenty LED-lit circular swings have been installed outdoors as a part of "Swing Time," Boston's first interactive sculpture installation. The hanging, glowing orbs are a twist on traditional rubber-and-rope swings, dangling from a minimal steel structure similar to those used in conventional playgrounds. LED lights embedded in the swings activate and change color as each swing moves, returning to a dim white light when static. The piece is designed to blend Boston's design community with its expanding technology sector while playfully engaging residents.
Take a seat in "Swing Time" with more photos and info after the break.
"Architecture is much more than art. And it is by far more than just building buildings" says award winningBurkina Faso architect Diébédo Francis Kéré. In the latest video from Louisiana Channel, Berlin-based Francis Kéré deliberates on the purpose of architecture in a changing society and the influence exerted by his home nation, Burkina Faso. For Kéré, context and medium are key: "I try to use local material: mostly clay and wood, to create buildings that are modern," he says. Kéré's clay modernism represents a new Burkina Faso, using natural and renewable materials as shown in School Library Gando. "If we build with clay we will have a better future, because we will use the resources we have," he adds.
"My people are proud, and that can deliver a lot of energy," says Kéré, optimistic for the future of architecture in Burkina Faso. Watch the video above to find out more about Kéré's approach to his European-based African practice, and read on after the break for ArchDaily's own Interview with Kéré from July.
FuturArc, a bimonthly journal that promotes the enhancement of sustainable architecture in Asia, have launched their annual contest to generate ideas for innovative and sustainable design. The contest is split into two, with the FuturArc Prize and the FuturArc Green Leadership Award rewarding sustainable design in both unbuilt and built projects. Read on after the break to find out more about both competitions.
Speaking from the newly-opened Istanbul practice of Copenhagen-based Henning Larsen Architects, Anne Marie Galmstrup describes her scandinavian design process in the context of her role as Principal-in-Charge of projects in Turkey. "Architecture is about space and about interaction between people," Galmstrup says, asking "How does it work here? How is it different in this cultural environment or in that climate?" Galmstrup discusses the atmosphere in Turkey, and how to engage young architects. Henning Larsen has hosted a series of "Imagination Schools," two-week workshops set in the middle east charged with overcoming regional design challenges, and Galmstrup has been instrumental in the orchestration of these and many more projects over her ten year tenure at Henning Larsen.
When you visit the galleries of GuggenheimHelsinki, you may have to bring a life vest. This submission to the Guggenheim Helsinki Design Competition floats the idea of a museum over water, traveling between the ports of St. Petersburg, Tallinn, and Helsinki. Proposed as a hypothetical submission to the worldwide contest, the team at OfficeUS delve into the notion of transience in the new world of architourism. The brief reads: "As a global freeport, the museum develops a completely new infrastructure, offering the strategic tax benefits of freeport art storage while enabling exhibitions of some of the most important pieces of modern art and design." Upcoming exhibits include (hypothetically) Olafur Elliasson, Yves Klein and Thomas Demand.
Who says that playing is just for kids? Bristol, in the United Kingdom, is just one of the many cities around the world experimenting with urban play, creating opportunities to eliminate urban solitude in favour of having fun. In a recent article in The Guardian, Julian Baggini dives head first into Bristol's playful new initiatives including a 300-foot water slide on the city's high street, post boxes that converse using text messaging, and city-wide zombie chases. Bristol is leading the way with urban play worldwide, hosting a conference this month entitled Making the City Playable, an opportunity for planners to convene with the creative minds behind the new form of entertainment. Find out more about urban play and the benefits it brings to cities here.
"The Biennale reveals that modernism was never a style. It was a cultural, political, and social practice," says Sarah Williams Goldhagen in her recent article for New Republic, The Great Architect Rebellion of 2014. This year, the Venice Biennale dissects the notion of modernism by providing a hefty cross-section of architectural history in the central pavilion. However contrary to Koolhaas' prescriptive brief, the 65 national pavilions show modernism was not just a movement, but a socially-driven, culturally attuned reaction to the "exigencies of life in a rapidly changing and developing world." Unexpected moments define the 2014 Venice Biennale: from Niemeyer's desire to launch Brazil into the first world through architectural creation, to South Korea's unveiling of a deep modernist tradition with influence across the nation. This Biennale proved to be truly rebellious - read Goldhagen's article from New Republic here to find out why.
Europe's ancient ruins are numerous: Pompeii, the Parthenon, the Colosseum - but what about new ruins? Skeletons of incomplete buildings now litter the skylines of European cities. A form of memento mori, these abandoned constructions prove that no structure is permanent or impervious to the changing desires of a society in flux. EnglishphotographerSam Laughlin documents the creation of these 'ruins' in his series Frameworks, a contemporary dissection of the aging built environment.
Enter the abandoned world in Frameworks with more photos and info after the break.
Denver Library, South Elevation, 1994, pencil and colored pencil on yellow tracing paper, 14 x 26 inches. Image Courtesy of Michael Graves & Associates, photo: Ken Ek
An exhibition celebrating one of North America's foremost postmodern architects will open this October, marking 50 years of Michael Graves' practice. Past as Prologue maps the evolution of Graves' work in architecture and product design through an array of media including sculpture, painting, furniture, drawings and models. The comprehensive exhibition will begin with Graves' work from 1964 and conclude with works currently in progress. The exhibition will be hosted by Grounds for Sculpture with a mission to provide insight into the five-decade progression of Graves' unique design process. More on the exhibition after the break.
Folly is a word not often used in architecture. By definition, 'folly' is a lack of good sense, or foolishness. And in the realm of architecture, folly is used to describe an extravagantly ornamented structure with no practical purpose. Yet gathering their inspiration from this word, Warren Techentin Architecture (WTARCH) have created and mounted a functional folly, appropriately named La Cage aux Folles (The Cage of Follies). Constructed of painted, steel tubes and installed at Materials & Applications, an exhibition centre in Los Angeles, La Cage aux Folles played host to an array of musical performances and lectures.
Explore La Cage aux Folles with more photos and info after the break.
Imagine walking beneath an illuminated canopy of lush greenery, in the form of inverted pyramids sculpted to perfection. In early August 2014 visitors were welcomed by this succulent living roof to the Harmony Arts Festival in West Vancouver, British Columbia. Guests were guided through the fairgrounds beneath the 90-foot long canopy, creating an immersive sensory experience befitting the interdisciplinary creative arts festival. Designed by Matthew Soules Architecture and curated by the Museum of West Vancouver, Vermilion Sands was created as a temporary installation for the ten day festival.
Submerge yourself in Vermilion Sands with photos and more info after the break.
