A masterpiece is often defined as the most remarkable work in an artist's career, one which highlights the height of their techniques and ideals. The Mona Lisa by Leonardo da Vinci; Michelangelo's Pietá; the Beatles' Sgt. Pepper's Lonely Hearts Club Band album. There are many examples, which are not always unanimously agreed upon. But what if what many consider to be the masterpiece was started by someone else, the credited creator didn't live to see its completion, and almost all of its documentation was destroyed? Catalan architect Antoni Gaudí and his world-famous Temple Expiatori de la Sagrada Família are examples of these complications. From a highly crafted stone construction to the most modern 3D printing techniques and high strength concrete, numerous technologies were and continue to be incorporated in the project's construction.

A rock like marble is usually light in color when formed through a process involving the heat and pressure of limestone. Carrara marble, for example, became famous for having good workability for sculptures, but also for its extremely uniform appearance. Under skillful hands, rough stone could become works of art such as Michelangelo's Pietá or David, among many others. But if during the rock formation process there are impurities such as clay minerals and iron oxides, the resulting stone may acquire bluish, gray, pink and black hues. Something that would make its use in a sculpture unfeasible can be seen as the real beauty of the piece, and how the passage of time was printed on it. Likewise, it is very difficult to predict exactly how zinc or copper will oxidize over time, and its patina effect takes on beautiful greenish, reddish or grayish tones, depending on the conditions to which they were exposed.

Admiring the unpredictability of materials and observing the beauty of the unexpected can bring surprising results to architectural projects. Through constant research, Apavisa has been able to develop modular ceramic pieces that combine strength and versatility, reproducing in detail the materials that our environment gives us. The strength of stone and metal with their oxidative processes, the roughness and timelessness of cement or the beauty of marble with its different veins, shades and patterns.  

Pablo van der Lugt is an architect, author and speaker. His research focuses on the potential of materials such as bamboo and mass timber for the construction sector, and their positive impacts on the world. “Throughout my professional career both in university (including my PhD research on the carbon footprint of engineered bamboo and wood) and industry the past 15 years I have found there are many misconceptions about these materials which hamper their large scale adoption. For this reason I ‘translated’ my research findings into two contemporary books for designers and architects about the potential of bamboo: Booming Bamboo, and engineered timber: Tomorrow’s Timber. They aim to dispel these myths and show the incredible potential of the latest generation of biobased building materials in the required transition to a carbon neutral, healthy and circular built environment.” We recently had the opportunity to talk with him about these topics. Read more below.

Generally made from kiln-fired clay, it is estimated that bricks have been used since 7000 BC, as examples were discovered in the ancient city of Jericho. Since then, bricks have been omnipresent in the history of architecture, combining constructive ease, aesthetics and comfort. Nowadays, with the growing concerns around the environment and the larger impact of materials used and decisions taken on a project, there are ways to modernize an ancient material such as brick through a few updates to its manufacturing process, making it even more eco-conscious. Brick can already be considered a sustainable material because of its durability and recyclability, but there are ways to further improve it. The new project for the headquarters of the food manufacturer Danish Crown, under construction and developed by CEBRA office, is a good example of how to apply this product in a more sustainable way.

There are a variety of wall coverings, façades and ceilings on the market, with multiple aesthetic options, fulfilling different functions and supplied by many companies. One thing they all have in common is that they are structured on frames which usually don't get much attention, yet directly influence the installation and the final result. These frames can vary in materials and complexity, as well as in how the panels are connected. The fixing of the panels cannot always be hidden, with visible screws or other parts, which end up requiring the use of other methods to hide them.

New Zealand brand Fastmount specializes in the development of hidden panel systems and has just launched a new system for interiors: Stratlock. The particularity of this product is that it offers designers and builders a complete and integrated system that is especially developed for the construction of ceiling and wall structures on irregular substrates. It can be used to affix internal panels with precision, and can be cut to any desired size in order to build the frame to attach the panels.

Rammed earth constructions are not a novelty, on the contrary, some sections of the Great Wall of China were made using this technique. Relegated and replaced by modern methods of construction, the mud walls are currently re-emerging as an economic, sustainable solution, with low environmental impact. Even Joelle Eyeson, a young African entrepreneur, is betting that it may be the answer to the housing deficit in her region.

This is a rudimentary construction system in which earth is compressed into wooden boxes. The clay is horizontally placed in layers of 15 cm in height, and compacted with manual or pneumatic tools, to achieve its ideal density creating a resistant and durable structure.

For some years now, wood has received an increasing amount of attention in the construction industry. With concerns raised about sustainability and the carbon footprint of buildings, new construction methods and innovative possibilities in the use of timber have developed rapidly. This interest in wood stems in part from its renewability, though this benefit is contingent on sustainable logging and the appropriate management of forests to be allowed to regenerate naturally. However, it is the versatility of wood that serves as the primary impetus for its widespread use. From boards, to beams, to floors, and even to thermal and acoustic tiles and insulators, wood can be used in several different stages of a single project and with different degrees of processing and finishing.

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HPL (High Pressure Laminate) panels are made of Kraft paper impregnated with phenolic resins, subjected to heat and pressure. A decorative layer with synthetic polymer allows the sheets to have numerous color and texture options, providing an extremely high strength and durability. This is why HPL is widely used in façades, but it is also increasingly being considered for interior wall cladding, for partitions and lockers, as well as for furniture. It is a material that can be used outdoors and indoors, and even on horizontal surfaces.

Batlleiroig is an architecture firm based in the city of Barcelona, whose extensive portfolio encompasses urban projects, landscaping, buildings, and interior design. We spoke with Joan Batlle Blay, Architect & Landscape Architect and partner at the firm, about the innovations and challenges in his work. According to him, “In our office, we think that R+D (research and development) is the company’s main tool to innovate and evolve our work method into an absolute creed for the planet.” See the full interview below:

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Saunas are inseparable from the culture of Nordic countries and they are increasing in popularity as a result of their many physical and mental health benefits. Their projects are usually quite archetypal, combining efficiency and sobriety.

We spoke with Jakob Gate, co-founder of Native Narrative & Scandinavian Sauna, who has been developing sauna projects that combine the flexibility of being transported anywhere, with the expertise and tradition of Scandinavian design. They work without electricity, heated by wood, while LED lighting is provided by a rechargeable battery. Learn more in the following interview:

The word “furniture” derives from the Old French, forneture, which means the act of supplying, from fournir. But it is only in the English language that this word is used to refer to elements of the house such as chairs, tables, shelves, etc. French and other Romance languages, as well as German, use variants of the word meubles, which derives from the Latin mobilia, meaning "things that move." While the English spelling impels a meaning of utility, languages that take the Latin root “mobilia” bring to the word a sense of freedom and possibility. But furniture does not always carry this versatility and flexibility in its creation, and generally, staticity and monofunctionality better characterize the furniture we know. The Gregory seating system is an example of how furniture can provide functionality, but also combine beauty and flexibility.

Pier 54 in New York has a history that dates back to the city's first inhabitants. After being severely damaged in 2012 with the passage of Hurricane Sandy, Barry Diller and the Hudson River Park Trust institution worked to create solutions to reactivate it and return the space to the public.

The final resulting project, Little Island Park, became an urban oasis of almost 10,000 square meters, which is structured on 132 pillars and houses amphitheaters, and several species of trees and other vegetation, in addition to other attributes. With the architecture developed by Heatherwick Studio and landscaping by MNLA, the work presented numerous difficulties, which required great innovation and collaboration between many professionals. Arup, a global company that develops consulting and engineering projects, was involved in the project from the beginning. We spoke with David Farnsworth, Principal at Arup’s New York office & Project Director of Little Island, about the challenges and learning involved in this process:

The task of rehabilitating buildings has been increasingly encouraged and celebrated for some reasons: first, by renovating and not demolishing, a large part of the material resources present are used, reducing the use and exploitation of raw materials and, in certain cases, the memory and the original urban fabric are preserved. A good rehabilitation also incorporates the modernization of the building to increase its energy efficiency, readjustment of facilities and the correction of pathologies, making it coherent with the demands of current users. For the building's owners and users, this means a better quality of life and, also very important, an appreciation of it. An element that plays a fundamental role in rehabilitation is the façade, which combines aesthetics and performance.

Whether figuratively or in an urban context, bridges are a strong symbol and often become iconic projects in cities. Building bridges can mean creating connections, new opportunities. But they are also fundamental pieces of infrastructure that solve specific issues in an urban context. As these involve highly technical equipment, with complex constructions and overwhelming bold structural requirements, they require projects that do not need full integration between architecture and engineering and, in many contexts, is a type of projects that architects are not so involved with. Marc Mimram Architecture & Engineering is a Paris-based office comprised of an architecture agency and a structural design office. In its project portfolio, there are several bridges, as well as various other project typologies. We spoke with Marc Mimram about his latest project in Austria, the bridge at Linz, photographed by Erieta Attali.

Slate is a metamorphic rock formed from the transformation of clay under high pressure and temperature. Very homogeneous and sober, with shades ranging from dark gray to black, it is commonly used in floors and roofs due to its durability and appearance. Slate also works very well for façades, combining the aesthetics of natural stone, shaped by nature for over 500 million years, with the thermal comfort and ease of installation of ventilated façades.

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Josep Ferrando is an architect based in Barcelona. He is the Dean of the La Salle Higher Technical School of Architecture (ETSALS), as well as Director of the Obert d'Arquitectura Center of Barcelona and of the Department of Culture of the College of Architects of Catalonia (COAC). Combining his academic career and his frequent lectures, his office develops projects that explore different scales and materials, experimenting with constructive systems and innovative solutions. We talked with him about the importance of materials in architecture, and about the synergies he finds between practice and teaching.

It is difficult to find someone who never played LEGO as a child. What if, like LEGO's, we thought of buildings as great assembling games? U-Build is a modular wooden construction system developed by Studio Bark to be easy to build, pleasant to inhabit, and simple to deconstruct at the end of its useful life. The system removes many of the difficulties associated with traditional construction, enabling individuals and communities to build their own homes and buildings. The system uses precision CNC machining to create a kit of parts, allowing the structure of the building to be assembled by people with limited skills and experience, using only simple hand tools.