Perhaps no building is closer to a date with the wrecking ball in Chicago than the James R. Thompson Center. While those responsible for initiating this threat cite years worth of deferred maintenance and high costs of operation as the primary reasons for their decision, these are not the real reasons for the building’s demise. It suffers from a much more lethal ailment — treating it like a normal building. In this video, Stewart explains why the Thompson Center is definitely not a normal building and offers alternative ways to evaluate it. What if we considered it to be a piece of urban infrastructure or public plaza instead? Relating the building to Rem Koolhaas’ theory of ‘Bigness’, this video builds the case that the Thompson Center should be valued for how it brings people together in space rather than its colors, or material palette, or any other normal ways of appraising mere buildings.
The Design Educates Awards recognize, showcase, and promote globally the best ideas and implementations of architecture and design that can educate. DEAwards reach beyond the regular architecture contest priorities, it searches for something that will have a lasting influence beyond the ever-present effects of design and architecture.
As part of its first Virtual World Tour, Architects, not Architecture visited New York to meet Elizabeth Diller.
The international event format Architects, not Architecture is known for inviting some of the most influential architects of our time and asks them to talk about their path, influences, and intellectual biographies. With its new event series, „AnA“ brings the architecture community a bit closer together by taking attendees on tour around the globe to “visit” selected cities and virtually meet two of their renowned practices.
The awards entry deadline is next Friday, May 7th, 2021, allowing all completed and future projects up until this date to have the chance to compete in the awards program.
For the first time, the World Architecture Festival will take place in Lisbon, from the 1-3 December 2021. The annual global awards program is now open for entries to all international architects and designers. WAF attracts more than 1000 entries each year to compete in Completed Building, Future Project and Interior categories.
The international event format Architects, not Architecture is known for inviting some of the most influential architects of our time and asks them to talk about their path, influences, and intellectual biographies. With its new event series, „AnA“ brings the architecture community a bit closer together by taking attendees on tour around the globe to “visit” selected cities and virtually meet two of their renowned practices.
Videos
Flooded Modernity. Courtesy of Asmund Havsteen-Mikkelsen
There is a saying that ‘all good architecture leaks’. While likely not intended as an endorsement for water damage, this video takes the phrase seriously by playfully sorting through some of architecture’s greatest leaks. Frank Lloyd Wright was famously dismissive of the many unintentional leaks in his buildings, once telling Mr. Johnson to move his table if he didn’t like it getting rained on. However, there are a number of great intentional leaks throughout architecture as well, such as the entry hall of Peter Zumthor’s Therme Baths in Vals. The walls allow groundwater to seep in from the surrounding mountain while forming beautiful murals out of mineral deposits the water picked up while on its journey through the earth. Whether leaks are intentional or unintentional, they are an inevitable and important reality for architects. There should always be plans for the water that will get into our buildings and this video offers five humorous strategies for making those plans.
In a time when the world is facing major social and environmental challenges, Oslo Architecture Triennale 2022 spotlights the neighborhood as a place and horizon for rethinking our cities. With the working title Mission Neighborhood – (Re)forming communities, the Triennale will explore how we form the places we share.
This episode of Architecture w/ Stewart explores the only five ways of organizing the plan of a building, at least they are the only ones according to Francis Ching as listed in the canonical text Form, Space, and Order. Each of the five: central, linear, radial, clustered, and grid, offer unique benefits and opportunities to architects, clients, or visitors. Some of the strategies are reserved for formal ceremonial buildings, while others are better for providing less rigid and more organic exploration by occupants. Some yield complete and autonomous forms while others can shrink or grow at ease. However, every single building is, in some way, a combination of these five basic strategies. Using paper cutout shapes, plastic human figures, and representative examples from history and recent constructions, Stewart demonstrates the value and possibilities of each organizational strategy.
Videos
Looking west from across the Gotham River, by Anton Furst
Graphic novels fold drawings of people, space, and time into their narrative structure to produce powerful visual stories. Graphic novels and architecture also share a set of common tools that are central to their depiction — drawing, sequencing, text, action, character, etc. This makes for a natural allegiance between graphic novels, architecture, and the city. In this episode, Stewart pulls the graphic novels off his bookshelf to show how and why they influenced his approach to architectural design and led to the creation of award-winning competition entries. In particular, David Mazzuchelli’s City of Glass and Asterios Polyp, and Chris Ware’s Building Stories offer lessons for developing a holistic approach to architecture that involves multiple points of view, politics, fiction, and visionary design.
Perhaps no modern character from TV or film is more enthralled with architects than George Costanza from Seinfeld. And, let’s be honest here, how many architects chose the profession in order to say those words, “I am an Architect?” Well, what if George was an architect? What kind of architect would he be? In this episode, Stewart breaks down scenes from Seinfeld in order to piece together the kind of architect he really wants to be. Using seven exhibits and a lawyerly argument, he builds his case around this most pressing 'what if' scenario. Exhibits range from George’s overt references, like his claim to have designed the addition to the Guggenheim, to a more psychological assessment of his proclivities for cozy, velvet-lined spaces and concluding with his fascination for pretending in the first place.
During this month we will discuss from a critical perspective the meaning of rendering for architecture. What are the models and what are the limits of rendering in the design process of a building?. And from this perspective ask ourselves what is a rendering? It is just an image to win competitions and prospects clients. Or is it an effective tool for the construction process?
LEGOs are universal world-building units and a popular gateway into architecture. Of course, you can build almost anything with them, cars, spaceships, you name it, but buildings of all kinds — from police-stations to castles — are some of the most popular subjects. What makes LEGOs so appealing to young, and not-so-young architects? What, specifically, makes them a good analogy for the design of buildings? In this episode, Stewart purchases a box of LEGOs and uses it as a springboard to talk about what he’s learned from the toy block system. From lessons on modularity and proportion, to grammar and resolution, to compositional categories of additive and subtractive, the video breaks down how these fundamental concepts apply to both LEGOs and to the history and design of architecture.
This video explores how the settings and spaces in the first season of HBO’s Westworld contribute to the overall interpretation of the show. From the lawless town of Sweetwater, to the tightly controlled offices of Delos, Westworld uses architecture precisely to establish its intricate worlds. While the show is set within a theme park of the near future, books like Michael Sorkin’s Variation on a Theme Park argue that we are already treating the cities we live in — in real life — as theme parks. So, while Westworld shares a number of architectural strategies with places like Disneyland, it is also not too far away from places like Chicago, New York, or London. After all, it was the architect Charles Moore that declared Disneyland the most influential urban environment built after World War 2. Getting to the bottom of this rabbit hole includes lots of train rides and an introduction to Michel Foucault’s concept of heterotopia, which helps explain what happens when worlds collide.
TenCent’s Net City, in Shenzen China. Image Courtesy of NBBJ
EPISODE 9 will focus on Future Cities. Our guest will be Jonathan Ward, a Design Partner at NBBJ, who is developing Chinese technology company TenCent’s Net City, in Shenzen China. At roughly the size and shape of Midtown Manhattan, Net City features a new Tencent office, a residential neighborhood, schools, retail and other amenities. The project focuses on sustainability, including photovoltaic panels on rooftops, sensors that track environmental performance and flooding, and a comprehensive transportation network that prioritizes public transit, bicycles and pedestrian access. Ward’s other notable projects for NBBJ include headquarters for Samsung in San Jose and South Korea, Ant Financial in Hangzhou, the Wellcome Trust in Cambridge, Telenor in Oslo and Reebok in Massachusetts.
In this video, Architecture with Stewart breaks down the floor plan strategies of Louis Kahn (1901-1974) for how they treat and arrange rooms in servant/served configurations. After World War II showed us the dark underbelly of technology, the architecture that gave us “machines for living in'' seemed misguided and dehumanizing. In contrast to pre-war open and free plans, Louis Kahn considered new possibilities for rooms; believing their privacy and enclosures could work together in a ‘society of rooms.’ Beginning with a close look at the Trenton Bath House, the video includes computer animations, sketches, photographs, and historical narratives to trace the evolution of the room through buildings like the Adler House, Esherick House, and the Exeter library — a monumental room of cultural memory.
Liminal spaces are everywhere, both literally, and as a popular topic of intrigue on Reddit and other image-sharing platforms. Posting photographs of empty dilapidated spaces followed by collective reminiscing of childhood experiences is proving to be a popular activity these days. At one time or another, the spaces depicted in these eerie photos seemed like a good idea, a useful solution to the problem of providing shelter for crowds in the act of movement or commerce. Architecture had specific terms for these spaces too and defined them through theories that explained their role in our culture. In this video, architectural professor Stewart Hicks presents how architects think about liminal spaces, what goes into them, why they exist, and why some architects and artists still work to produce their effect.
Architectural plans require training in order to read, understand, and produce. Mastering their codes can unlock the most powerful tool that architects have to imagine and construct new buildings. It is not only important to learn the intricate formal and geometric operations to produce these types of drawings, but also to interrogate the traces they leave on the buildings we design. In this video, architecture professor and designer, Stewart Hicks talks about the basics of architectural plans: where they came from, how they are made and used, and what they are good at representing. Using a three-dimensional model of a basic house, he goes through the steps of transforming it into a plan projection while discussing the implications of each step and offering precedents to reveal their nuanced implications.
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