As architects, we are on an endless journey of discovery, open to new experiences that fuel our creativity. We explore our surroundings and beyond, we travel to expand our views and open our mind, being often exposed to the unexpected. All these experiences are stored in our mental hard drive until the inspiration moment comes, drawing random non-linear connections between them and putting us into a state of divergent thinking, from where new ideas appear. 

“The greenest building is the one that is already built." (Carl Elefante, FAIA)

The world’s urban population will double by 2050, and cities need to come up with sustainable ways to accommodate this mass movement. We often see projects being built as quickly as possible to support growth, however, rapid growth often leads to cities and buildings that lack originality.

A smarter and more sustainable solution is to increase the density of existing centers, as well as to recover existing structures through refurbishment and repurposing. But, turning something old into something new is a challenging process — it requires a bold vision and a rigorous commitment to design.

In Ancient Greece, a Polis referred to both the city and its body of citizens, where one cannot exist without the other. It is in this intersection, where Public Architecture, has the opportunity to construct the ideals of society: a space where individuals gather, relate to one another, and become citizens.

Le Corbusier’s statement, “a house is a machine for living in,” forecasted a future where the house would become an engineered product of standardized, easily-duplicable pieces for an ideal city, while also achieving its ultimate functional purpose: the well-being of its inhabitants.

Starting this month, ArchDaily will introduce monthly themes. Our editors and curators will align their efforts to go deeper into topics we find relevant in today’s architectural discourse, presenting new articles, projects, collaborations, and submissions by our readers. This month we will begin with Architectural Representation.

What started as a ground cut to represent buildings as a 2D maze or the flat representation of styles on an elevation, later evolved into the axonometric representations of battlefields and fortresses for military use, and since then into a diverse variety of views, formats and techniques that go beyond the mere representation of a volume for its construction.

We are pleased to partner with the World Architecture Festival to bring you live streaming of each day's keynote addresses. On Wednesday, tune in for lectures from Peter Cook, Li Xioadong and an impressive group of speakers. Follow us on Instagram at @archdaily to see more updates from our team on the ground.

Design, in all forms, is a fundamental part of our daily lives; it's even at the core of the new economy. As a result, design education is such an important topic for discussion that design curator and educator Jan Boelen puts at the center of the 4th Istanbul Design Biennial.

As the curator of the 4th Istanbul Design Biennial, together with associate curators Vera Sacchetti and Nathine Botha, Boelen questions the role of education in design today -- just as the Bauhaus celebrates 100 years.

In a rapidly changing world with an uncertain future we cannot anticipate what will happen in the next few years, nor even the skills that we will need. Instead, we need to develop "learning as an attitude" to constantly deal with change, as Jan discusses in our video interview.

To address these issues the curators laynched an open call with 753 submissions, from which 120 were chosen to be part of "A Schools of Schools". In this strong response Boelen found projects that "are an answer and maybe already a forecast of a new kind of design where speculation, criticality and relational aspects are infusing the traditional design world, that is making solutions for the issues that we have today."

The 120 participations are organized around six schools which occupy six cultural venues in central Istanbul, encouraging visitors to explore the city while visiting the Biennial. Here are the schools and our picks:

For the last eight years, Moscow has hosted the Moscow Urban Forum, a yearly gathering for experts to reunite to discuss pressing issues of today’s metropolises. Some of the most renowned architects and urbanists, city mayors, government officials, economists, developers, academics, citizens and professionals from diverse fields and nationalities come together in the iconic Russian city and its important venues like Menage or VDNKh. But it was the presence of two of the world’s most influential men in their respective areas of influence which marked the importance of this year Moscow Urban Forum: Rem Koolhaas and Vladimir Putin.

The event is part of a long-term, comprehensive urban process in which a series of coordinated projects have changed the face of Moscow, putting it on par with other European capitals. Ahead of the 2018 World Cup, many of these projects reached completion, making this edition of the Moscow Urban Forum a special one. The Garden Ring, the Krymskaya Embankment, the renovated Luzhniki Stadium, the Gorky Park renovation, the Garage Museum, the My Street Program, the Moscow Central Circle, and the Velobike Public Bike System, among many other initiatives, show the commitment of the city to improving the quality of its public spaces. Upcoming projects such as the new Hermitage Museum by Asymptote, the V-A-C Foundation in Red October by Renzo Piano, the Moskva River Embankment by Project Meganom, and the renovation of the Tretyakov Gallery by OMA show that this responsibility extends beyond the World Cup.

The 4th Istanbul Design Biennial, curated by ​Jan Boelen with Nadine Botha ​and ​Vera Sacchetti, has just announced the participants of this year’s edition. Under the theme “A School of Schools”, it seeks to explore how design education, and education in general, can evolve and adapt in a new age of artificial intelligence.

Organized by the ​Istanbul Foundation for Culture and Arts (İKSV) and sponsored by ​VitrA​, the Biennial will bring together old and new knowledge, academic and amateur, professional and personal, engaging multigenerational, transdisciplinary practitioners from Turkey and abroad. The event will run for six weeks, from September 22 to November 4, and willinhabit ​six of the city’s most iconic cultural institutions​, which will play host to the biennial's many schools, exploring the multiple dimensions of design as learning.

Details about the venues and participants:

Update: The final entry deadline has been extended to June 1st. Register your projects here.

It's time to get your applications ready! Now in its 11th year, the World Architecture Festival will take place in Amsterdam from November 28 to 30. Organizers expect nearly 500 architectural practices to compete for prizes in over 30 categories. The event moves to the historic Dutch city following two years in Berlin.

The Festival is the world's largest live architecture awards event--all shortlisted architecture projects are presented in person by the architects to an esteemed panel of judges. And this year, nearly half of the 120 judges are expected to be women.

This year’s Completed Buildings final super-jury will be chaired by MVRDV's Nathalie de Vries, and will also include Sir David Adjadye, Li Xiadong and Harvard GSD dean, Mohsen Mostafavi.

"The Greenest Building is the one that is already built." (Carl Elefante, FAIA)

The world’s urban population will double by 2050, and cities need to come up with sustainable ways to accommodate this mass movement. We often see projects being built as quickly as possible to support growth, but these buildings end up lacking character, and they make the city look altogether generic. A smarter and more sustainable solution is to increase the density of existing centers, as well as to recover existing structures through refurbishment and repurposing.

To turn what is old into something new is a challenging process. It requires a bold vision and a rigorous commitment to design.