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I am a Bucharest-based architect with a keen interest in the programmatic complexity of the contemporary built environment, and I am passionate about architecture that enhances social capital and the quality of life. I see architectural space as a potential catalyst for social interaction, and I am inspired by the possibility of enabling human connections through design.
Trahan Architects broke ground on the new Chapel of St. Ignatius and Gayle and Tom Benson Jesuit Center at the Loyola University in New Orleans. The new spiritual site and the community gathering space draw on elements of the Jesuit tradition, central to the University's heritage. Through the circular design, the light-filled interior space and the predominance of natural materials, Trahan Architects creates a space of universal spirituality at the heart of the campus.
Benedetta Tagliabue - Miralles Tagliabue EMBT participates in the 17th International Venice Architecture Biennale with an installation detailing the design thinking behind Plateau Central Masterplan at Clichy-Montfermeil, Paris. Entitled Living within a Market - Outside space is also Home, the exhibition showcases a series of models, drawings, prototypes and collages which illustrate the principles of community building and social integration that underline the project. The installation also brings to Venice a display structure designed by Enric Miralles in 1996, reproduced for the first time this year for the Miralles series of exhibitions in Barcelona.
Gmp has won a competition to redesign a disused stainless steel factory that would accommodate the Shanghai Academy of Fine Arts. In tune with China's newfound interest in adaptive reuse, the project retains the core structure of the 860-meter long industrial building, as well as its ventilation towers. At the same time, it redesigns the façade and accentuates the central axis through a mix of social spaces. The design is part of a larger redevelopment plan to transform the former industrial site into an art district.
Aedas has unveiled the design for a tourist leisure resort that takes the form of an organically-spaced 266-meter tower in the harbour city of Zhanjiang. Located at the intersection of three distinct urban areas, the Zhanjiang Yun Hai No. 1 Tower becomes a portal for the city and a symbol of its development. With a tower design inspired by the motion of koi fish, and a podium echoing the shape of waves, the project creates an allegory of Zhanjiang’s harbour culture.
Since their inception in 1896, modern-day Olympics have been regarded by hosting cities as an opportunity to project to the world a specific image of themselves, to subsidize large infrastructure projects, or to rapidly unfold redevelopment schemes. Past the frequently discussed eye-catching stadiums, there is a complex story of Olympic urbanism, which encompasses the large scale developments catalyzed by the event. Exploring the urban and architectural legacy of the Games, the success stories, the white elephants, and the administrative agendas, the following discusses what the Olympics leave behind in the hosting cities.
Invited to participate in the 17th International Venice Architecture Biennale, Skidmore, Owings & Merrill (SOM) exhibits Life Beyond Earth, a vision for a Moon Village. Developed together with the European Space Agency (ESA), the installation presents a proposal for a sustainable ecosystem that would support human presence on the Moon, exploring the opportunity of expanding the scope of architecture. The project reaffirms the importance of space exploration while also highlighting its potential to advance knowledge that would help address issues on Earth.
The Jining Art Museum, designed by Japanese architect Ryue Nishizawa in China’s Shandong province, merges architecture and landscape across three structures unified by a distinctive architectural language. Images by photographer Paulo dos Sousa showcases how the museum relates with the adjacent lake and the surrounding greenery while also highlighting how the main architectural gesture of the organically shaped roof creates a series of intermediary spaces that expand the museum’s activities outwards into the environment.
Manifesta 14 recently announced that the 2022 edition of the European Biennial of Contemporary Art will take place in Prishtina, Kosovo. In preparation for the event, Carlo Ratti Associati has been commissioned to create an urban vision for the host city, focusing on sustainable solutions attuned to its current realities. The urban interventions showcase CRA's newly defined participatory urbanism methodology and explore how Prishtina could be transformed by the citizens' act of reclaiming public space.
Having been invited to participate in the 17th International Venice Architecture Biennale, architecture and design practice AAU ANASTAS presents the exhibition All-Purpose, which translates the craftmanship of stone into a new form of contemporary architecture. Exhibited within the Giardini, the structure featuring an undulating parametrised stone slab supported by thin, slender columns is a material exploration that builds on the Palestinian construction tradition to create a new architectural discourse around stone.
Richard Meier & Partners Architects announced the retirement of its founder, Pritzker-winning architect Richard Meier, who established the eponymous firm in 1963. The announcement also revealed a major internal reorganisation of the company, as well as its renaming to Meier Partners. The move comes three years after sexual harassment accusations have been made against the now 86-years old architect.
Heatherwick Studio has been selected to design an office building in Madrid for the Spanish department store chain El Corte Ingles. The studio's first project to be built in Spain, Castellana 69 embodies a comprehensive sustainability strategy while also promoting a new vision of the office space. Developed together with local practices CLK architects and BAC Engineering Consultancy Group, Castellana 69 features a green inner courtyard, taking advantage of a strong connection between indoor and outdoor spaces.
Schoonschip is Amsterdam’s innovative circular neighbourhood, a community-driven project set to become a prototype for floating urban developments. With a masterplan designed by Dutch architecture practice Space&Matter, the project comprises 46 dwellings across 30 water plots connected by a jetty and features decentralised and sustainable energy, water and waste systems. With the last of its buildings completed this year, the development showcases a valid adaptation strategy in the face of climate change and rising sea levels.
Housing is one of the core functions of architecture, circumscribing numerous typologies and encompassing a variety of issues. This week’s curated selection of Best Unbuilt Architecture highlights different forms of housing submitted by the ArchDaily Community. From urban developments to micro homes, from a deep connection with the landscape to high-end technologies, this article explores the topic of residential architecture, presenting different approaches from around the world.
Featuring a strategy to refurbish the typical urban block of Barcelona to accommodate senior housing, a net-zero energy tower in Italy and a poetics-infused villa in Greece, the round-up spans a multitude of scales and housing scenarios. In addition, a concept for 3D printed micro-homes addresses the housing shortage, while an urban development in India recuperates the values of traditional villages. The following projects reveal various ideas surrounding residential architecture in its numerous forms.
Work has begun for MVRDV's renovation of Shenzen Women & Children Centre, a mixed-use tower featuring an array of public functions, now in need of a comprehensive transformation. Constructed during the city's explosive growth following the Special Economic Zone designation in the 1980s, the building is one of the many nearing the end of their initial lifespan, and MVRDV's adaptive re-use project sets an important precedent for repurposing these buildings by bringing colour, greenery and a new layer of public spaces.
Completed in 2020, amidst the pandemic, ANOHA- The Children’s World designed by Olson Kundig for the Jewish Museum in Berlin is finally opening its doors to the young public. The design reinterprets the myth of Noah’s Ark and furthers the concept and ideas of a similar installation at Skirball Cultural Center in Los Angeles, created by the firm then named Olson Sundberg Kundig Allen. More than a museum experience, the project is a space for community building, a place for imagination and play that enacts a universal story, creating an inclusive environment for children and families of all cultures and backgrounds.
A geographic discovery game based on Google imagery, GeoGuessr requires players to guess various locations worldwide using only the clues provided by a Street view. Created in 2013, the game has taken on new relevance amidst the pandemic, as it provides a virtual travel experience. From desolate roads to famous sites, the game teases deductive reasoning, requiring players to make use of any clue, from signs, language, flags, landscape, to pinpoint their surroundings.
London Design Biennale is currently unfolding at Somerset House, with 38 exhibitions from across six continents showcasing the role of design in addressing global challenges. Curated by Artistic Director Es Devlin, the event centres around the theme ‘Resonance’, inviting designers and artists to consider the ripple effect of “ground-breaking design concepts on the way we live, and the choices we make”. At the third edition of the London Design Biennale, the national pavilions highlight new perspectives on world issues, exploring sustainability and the environment, globalisation and migration, history and daily life.
A new shared facility for Indiana University's Eskenazi School of Art, Architecture + Design, materialises a recently rediscovered design by Mies van der Rohe. The 1952 project was intended for a fraternity house on the same IU Bloomington campus where it is currently being built, and the design incorporated the same white steel frame and expansive glass panes aesthetic as the Farnsworth House, created around the same time. After being forgotten for six decades, the design resurfaced in 2013, and the two-storey building will open its doors this fall.
