Chinese architect Mingfei Sun has designed an environmentally oriented urban hub for Masdar City, Abu Dhabi. Titled SURGE, its natural aesthetics and technological forwardness are intended to communicate a J.M.W. Turner-esque awe for the power of nature, making it an oasis of high aesthetic and ecological value.
"Films have been studied by architects and other professionals who are interested in the field of architecture and urbanism because they offer a more subtle and responsive perspective of our discipline," Finnish Architect and Professor Juhani Pallasmaa tells us. Through its technical and aesthetical particularities, the cinema can go beyond simple representation to be a powerful instrument for conveying ideas and concepts related to architecture and urban space.
Since its invention in 1920, cellular concrete tackled the search for an industrial material that had similar characteristics to wood. It was lightweight, could be cut or perforated, and avoided some of its disadvantages; for instance, its water absorption and need for maintenance. Nowadays, Autoclaved Aerated Concrete (AAC) blocks are actively present in the marketplace by manufacturers like Hebel or Retak, which are building an easy to use and efficient constructive system. If you ever wondered about how to build with these masonry ingredients, it is pertinent to dig a bit deeper into the advantages of this material.
In many ways, architectural models are strange objects. On one hand, like drawings, models are a representation of something else—a building—that might exist already but in most cases is so far only hypothetical. On the other hand, they are miniature constructions in themselves, which can be appreciated for their craftsmanship and intricacy. Perhaps this is why architects find models so fascinating; they can be simultaneously admired as an object in themselves and as a vision of something greater.
Earlier this year, we asked our readers to send us images of their most impressive models, and the response clearly showed this fascination. We received photographs of a wide variety of models, from sensible and meticulously constructed miniatures to jaw-dropping expressive outbursts. From over 300 entries, we've narrowed down our readers' submissions to just 21 of the most awe-inspiring examples, splitting them into 5 categories to reflect the incredible range of ways that people have made their models worth looking at.
Having explored the design that establishes 'emotional ownership' and the antipatrons of social housing, Nikos A. Salingaros, David Brain, Andrés M. Duany, Michael W. Mehaffy and Ernesto Philibert-Petit continue their series of articles on social housing in Latin America. This time, the proposal studies how control influences the urban form and the form of housing.
British company Kast has launched a new version of its traditional pigmented concrete sinks. Since concrete is an extremely versatile material, which combines the characteristics of natural stone with the ability to be molded in different forms, the products show carved surfaces with highly defined textures. The exploration of their linear patterns ranges from smooth horizontal ripples to diagonal folds or 'sharp' and vertical grooves. The organic variations in the colors and textures of the surfaces create a different aesthetic that comes directly from the character of the material.
Traditional Iranian architectural monuments are often built low to the ground due to the lack of beam and column technology. Palaces, mosques, and public buildings are thus built with only one or two floors, and Iranian architecture rarely features towers or high-rise buildings as a result.
It is expected that within the next few of decades, Earth will have absolutely nothing left to offer whoever/whatever is capable of surviving on it. Although the human race is solely responsible for the damages done to the planet, a thin silver lining can still be seen if radical changes were to be done to the way we live on Earth and how we sustain it.
Since architects and designers carry a responsibility of building a substantial future, we have put together an A-Z list of every sustainability term that you might come across. Every week, a new set of letters will be published, helping you stay well-rounded on everything related to sustainable architecture and design. Here are the terms that start with letters J, K, and L.
Christophe Benichou Architecture's recent project Sesame is solitary and monolithic. Located in a desert, its facades are split open and fragmented, leaving parts of the walls slightly ajar. In each of these cavities sit icons of domesticity, including a bed, table, bathtub, sink, and toilet.
The Midnight Charette is an explicit podcast about design, architecture, and the everyday. Hosted by architectural designers David Lee and Marina Bourderonnet, it features a variety of creative professionals in unscripted and long-format conversations that allow for thoughtful takes and more personal discussions. Honesty and humor are used to cover a wide array of subjects: some episodes provide useful tips for designers, while others are project reviews, interviews, or simply explorations of everyday life and design. The Midnight Charette is available for free on iTunes, YouTube, Spotify, and all other podcast directories.
On this episode of The Midnight Charette podcast, hosts David Lee and Marina Bourderonnet discuss how to design a résumé to get hired, covering what to include if you have little experience, résumé length, what offices look for in a résumé, how to stand out, how it should be structured, custom graphics, font size, including addresses and headshots, and more. If you have any questions or advice about portfolios or any other design-related topics, leave a voicemail at The Midnight Charette hotline: 213-222-6950.
.jpg?1563519226)
The importance of nature and sustaining it has become a crucial feature in most contemporary projects. While some architects sustain nature by constructing with environmental-friendly material, others make way for the greenery to intervene with the structure, blurring the boundaries between man-made and Earth.
For the Chungnam Sports Center design competition, ANU Design Group created "Edgeless Sports Park", a series of oval-shaped structures that complement the hilly landscape and merge its greenery with the architecture.
Villages and cities in Iran have always had a fixed low-rise horizontal skyline due to the lack of beam and column technology. Although some cities have already adopted contemporary styles and have constructed soaring skyscrapers, but the majority of towns remain committed to traditional building techniques.
Iranian architect Mohammad Hassan Forouzanfar decided to give traditional Iranian architecture a structural upgrade but kept its main features intact. In his conceptual creations titled "Retrofuturism", the architect used traditionally-designed houses as a starting point, but introduced them to the modern world of skyscrapers and surreal forms, mixing both styles together.
Design:ED Podcast is an inside look into the field of architecture told from the perspective of individuals that are leading the industry. This motivational series grants unique insight into the making of a successful design career, from humble beginnings to worldwide recognition. Every week, featured guests share their personal highs and lows on their journey to success, that is sure to inspire audiences at all levels of the industry. Listening to their stories will provide a rare blueprint for anyone seeking to advance their career, and elevate their work to the next level.
In this episode, Brian MacKay-Lyons discusses the importance of maintaining your integrity as a designer, the lessons he learned from working closely with Charles Moore, and how he began his own firm MacKay-Lyons Sweetapple in Nova Scotia.
Past, Present, Future is an interview project by Itinerant Office, asking acclaimed architects to share their perspectives on the constantly evolving world of architecture. Each interview is split into three video segments: Past, Present, and Future, in which interviewees discuss their thoughts and experiences of architecture through each of those lenses. The first episode of the project featured 11 architects from Italy and the Netherlands and Episode II is comprised of interviews with 13 architects from Spain, Portugal, France, and Belgium.
The goal of the series is to research these successful firms and attempt to understand their methods and approaches. By hopefully gaining a clearer picture of what it means to be an architect in the 21st century, the videos can also serve as inspiration for the next generation of up-and-coming architects and students as they enter the field.
This article was originally published on Common Edge.
Architecture lost itself in an identity crisis not long ago. The discipline wandered in self-reflection, reexamining how practitioners go about their work, how the built environment should appear, and why. Movements came and went. Promising paths dead-ended. Eventually, the profession gave up looking for ways out of its uncertainty, leaving us where we are today.
In premodern eras, new construction techniques, evolving opinions on art, and shifting societal beliefs drove styles. Advances were slow, but once established, became long-lived norms. The Gothic period lasted four centuries, the Renaissance three. From the nineteenth century on, though, more than a hundred aesthetic and philosophical movements lived quickly and died. As historian Charles Jencks notes, there were “a plurality of live architectural traditions” even during the International Style’s forty-year hegemonic heyday.
As an architect, critic and winner of the 2002 Pritzker Prize, Glenn Murcutt, (born 25 July 1936) has designed some of Australia's most innovative and environmentally sensitive buildings over a long career—and yet he still remains a one man office. Despite working on his own, primarily on private residences and exclusively in Australia, his buildings have had a huge influence across the world and his motto of "touch the earth lightly" is internationally recognized as a way to foster harmonious, adaptable structures that work with the surrounding landscape instead of competing with it.
The climate in Madrid in 2050 will look more like the climate in Marrakesh, Morocco today. Stockholm will feel more like Budapest, London like Barcelona, Moscow like Sofia, Seattle like San Francisco, and Tokyo like Changsa in China.
The research "Understanding Climate Change Starting with an Analysis of Similar Cities" published in the scientific magazine PLOS ONE by The Crowther Lab of ETH Zurich, paints a grim picture of the future for the world's urban centers.
Funded by Norman Foster in 1967, Foster+Partners studio develops projects that integrate architecture and engineering with interior and object design. In a special collaboration with Porcelanosa – experts in the fabrication of furniture and accessories made out of stone, ceramic, brass, wood and KRION®–, they have designed a collection of bathrooms in simple and minimalistic ways, highlighting the essence of the materials and the trade of their fabrication.
The collection has been branded as TONO and its objects can be mixed and adapt to diverse typologies, from residential interiors to commercial spaces and offices.
Architectural photographer Marwan Harmouche has published images of the new Paris Courthouse, designed by Renzo Piano Building Workshop. Situated on the northern edge of Paris, the Tribunal de Paris regroups various facilities previously dispersed around the capital, becoming the largest law courts complex in Europe.
Islam, other than describing a religious belief, is a word that identifies a unique type of architecture that dates back thousands of years. It has been formed by a civilization that transformed the qualities of this belief into visible and tangible material, building structures with a striking focus on details and experiences within enclosed spaces.
Islamic architecture is an architecture that does not change its form easily. In fact, its principles have been more or less the same since thousands of years ago, with minor changes based on functional adaptations. To this day, hundreds of buildings still stand as a representation of the history of Islamic architecture and are still used just as they have been in the past.
War, however, has no religion or cultural nostalgia, and even the holiest, most historically-significant sites are threatened with complete destruction. The Great Umayyad Mosque in Aleppo, originally built by the first imperial Islamic dynasty and currently situated within a UNESCO World Heritage Site, stood yet again as a battlefield during the recent Syrian War, but this time, lost its most significant and resilient element, an 11th-century Seljuk Minaret.
The term "resilience" has been employed in a wide range of subjects. The scientific definition is the ability of a substance or object to recover its form after suffering some trauma. In other words, it is quite different from resistance, as it concerns the capability of adapting and recovering. In ecology, resilience is about the ability of an ecosystem to respond to a perturbation or disturbance, resisting damage and recovering quickly. In architecture, however, designing something while having resilience in mind can lead to a variety of approaches. Resilient designs are always site-specific. Predicting the potential scenarios for typical building use, and even any disasters that could challenge the integrity of the project and its occupants is an important starting point. Furthermore, it is possible to address adaptive structures and materials that can ''learn'' from their environment and continuously reinvent themselves. Since there are software and robots with algorithms that learn from their contexts, why can't we use the same approach in construction?
We have selected 10 adaptive materials and solutions that work under the concept of Resilience in Architecture and Construction. We are left wondering whether these solutions will someday become mainstream or merely occasional innovations.
NextOffice’s Sadra Artists Forum is a public cultural center to be located in the arid suburban town of Sadra. Consisting entirely of low-lying or subterranean building levels, the project's unique structure contrasts the surrounding urban area and uniquely shapes the relationship between interior and exterior spaces.
Shanghai is a city full of contradictions. Beneath the towering skyscrapers and contemporary complexes, old houses and shops are tucked away, gradually falling apart. The city's disappearing streets caught the attention of many international photographers. Some displayed the relationship between old vs new, while others focused on the historic districts and their cultural significance.
Canadian photographer Greg Girard, who spent most of his time in Asia, examined the social and physical transformations of the Chinese city and published a photo-book titled “Phantom Shanghai”.
This article was originally published on Metropolismag.com.
The renowned founder of his eponymous studio—which joined Perkins and Will in 2014—passed away July 9th, leaving a major legacy of built works, community engagement, and advocacy within architecture.
In 2016, as the three-tiered, bronze-skinned, and filigreed National Museum of African American History and Culture (NMAAHC) opened on the National Mall—a signature building of the Obama era—one of its main architects, Durham, North Carolina–based Phil Freelon, was diagnosed with the neurodegenerative disease ALS. Earlier this week, Freelon died of complications from the disease. He left behind a four-decade legacy of considered, attentive design for communities typically ignored—or worse, harmed—by processes forming the built environment.
.jpg?1563519226 "© ANU Design Group")
.jpg?1563518433 "© ANU Design Group")
.jpg?1563518775 "© ANU Design Group")
.jpg?1563519897 "© ANU Design Group")
.jpg?1563518401)
.jpg?1563871474 "Courtesy of SSNP Media Wars")
.jpg?1563871762 "Courtesy of SSNP Media Wars")
.jpg?1563871762)
