While technology and construction have progressed rapidly in recent years, allowing structures to be built taller and faster than ever, remnants of colossal ancient monuments remind us that construction techniques from as long as hundreds of years ago had enormous merit as well. In fact, many of the innovations of antiquity serve as foundations of modern construction, with the Roman invention of concrete serving as a cogent example. Other essential ancient construction techniques, such as the arch and the dome, are now often considered stylistic flourishes, with designs like the Met Opera House reinterpreting classical typologies in a modern context. Yet perhaps the most relevant reinterpretations of ancient construction today are those that do so in the interest of sustainability, renouncing high-energy modern construction methods in favor of older, more natural techniques.

Does the Coronavirus concern us? Yes, it does. Beyond the rush for health cures, cities are seen to react by using both architecture and urban strategic planning as tools for the virus’ containment, shattering our notions of city and resilience planning.

The Chinese megacity of Shenzhen bares all the hallmarks of a surging modern metropolis. Busy (and loud) five-lane motorways weave through islands of glittering glass skyscrapers, rising from podiums filled with designer shops, fronting vast squares and plazas, activated by screen-savvy young professionals fueling the city’s booming tech economy. Such a scene is truly remarkable considering that before 1980, Shenzhen was nothing more than a provincial fishing town of 60,000 people. Today, that figure has risen to 13 million.

This poses the question of how the urban environment accommodated such a rapid population explosion in such a short time. The answer lies in the city’s “Urban Villages,” remarkable manifestations of Shenzhen’s past and present, though likely not of its future.

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Costing less than glitzier parks in Moscow, the Tatarstan initiative is revivifying the local design and manufacturing bases with a "teach a man to fish" approach.

In places without an established design force, there have historically been two opposing approaches at play: hire experts from abroad or nurture a local design community, a la “give a man a fish or teach him how to fish.” In the Russian republic of Tatarstan, located at the intersection between Europe and Asia, a recent Public Spaces Development Program has created over 350 parks in five years—by choosing the latter approach.

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This article was originally published on Common Edge.

The field of architecture is not exactly a hot topic of study for most undergraduate students. The closest they might get to the subject is an art history survey course in which architecture is presented as a parade of styles across the millennia—just another form of visual expression. 

Bruno Stagno from San José, Costa Rica, shares his contemplations for a free expressive code for tropical architecture.

With December and January nearly behind us, many of us will have been producing reports. There is an increasing number of tools for reporting PR value sold to companies as ways to justify their worth. There is no doubt that it’s useful to regularly take stock of past and upcoming initiatives and producing a report can even be pleasurable when adding to a sense of accomplishment and direction. The bad thing is that this heavily-report-reliant culture leads to management style PR that focuses more on how something will look on paper as stats, graphs, and pics, than what is actually accomplished.

For instance, The Architecture Foundation in London is highlighting growing Biennale fatigue in its forthcoming “Bored of Biennales” event in March. One can well imagine how all-too-often such events are best experienced not in situ, but instead, through carefully-edited reports or via media coverage as suggested by the Foundation.

Unfortunately, we've probably all experienced the unfortunate surprise of finding mold at home. These undesirable black and greenish spots, usually seen in dark, damp corners, may seem harmless at first, but they pose a major problem for buildings and occupants. Because the tendency of mold is to continuously spread, it gradually contaminates other materials and surfaces, causing a characteristic smell and contaminating the air. But how is it possible to control it and, mainly, to prevent it from occurring through architectural design?

Coming from the Byzantine Era, originally used for decorating floors and walls, the hydraulic tile is a material still widely used for the coating of architectural surfaces. With versatility in patterns, composition, colors, it is water-resistant and can be installed onto various surfaces, like countertops, panels, and furniture. Going beyond thoу commonly used ones, this material still shows excellent results in projects, both residential and commercial. With that in mind, we have compiled a selection to inspire you for your next works. Check it out below:

With the amount of information and technology we currently have, whether from academic research or from the manufacturers of construction products themselves, there is very little room for empiricism and experimentation when we design on the most diverse scales. Even worse is when design specification misconceptions can pose huge costs and headaches. However, long before construction and occupancy of the building, it is possible to clearly understand how the construction will function thermally, its photovoltaic power generation capacity, and even how much power will be required to cool and/or heat it. There are software, tools and applications that allow you to quantify all these design decisions to avoid errors, extra costs, unnecessary waste generation, and ensure the efficiency of all materials applied.

In the last few weeks, a number of reactionary architectural commentators have come out of the woodwork to denounce what they see as the currently negative direction of contemporary architecture. They claim that architecture needs to be “rebuilt” or that it is “imploding.” From their indications, architecture is on life-support, taking its last breath. The critique they offer is that contemporary architecture has become (or always was?) insensitive to users, to site conditions, to history—hardly a novel view. Every few years, this kind of frontal assault on the value of contemporary architecture is launched, but the criticisms this time seem especially shallow and misplaced. Surveying the contemporary global architecture scene, I actually feel that we’re in a surprisingly healthy place, if you look beyond the obvious showpieces. We’ve escaped from the overt dogmas of the past, we’ve renewed our focus on issues of the environment and social agency, we’re more concerned than ever with tectonics and how to build with quality. But the perennial critics of contemporary architecture appear not to have examined that deeply, nor that thoughtfully either. And unfortunately the various rebuttals to their critiques, ostensibly in support of modern and experimental architecture, have been ham-handed and poorly argued.

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The Patio Vivo Foundation seeks to promote active free play, positive and healthy relationships, wellbeing and contact with nature by articulating space, community and the culture of kindergarten and school playgrounds. In the following article, they describe their working methodology in their own words.

Architects of today face a common task that defies intuition – how to balance building performance and strict carbon targets against cost. Sustainability in design is certainly a worthy and necessary goal, but the amount of options can be overwhelming and the costs prohibitive, especially in the eyes of owners. How can designers best convince their clients to integrate sustainability into a project? Keeping costs low and backing up decisions with fact-based analysis are solid first steps.

Videos

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Open More Doors is a section by ArchDaily and the MINI Clubman that takes you behind the scenes of the world’s most innovative offices through exciting video interviews and an exclusive photo gallery featuring each studio’s workspace.

In this installment of the series, we talked with Kai-Uwe Bergmann, a partner at Bjarke Ingels Group (BIG). Despite the size and fame of the firm – BIG has around 500 employees and maintains offices in Copenhagen, New York, Barcelona, and London – he emphasized camaraderie and connection as the most defining characteristics of the company. These traits are doubly emphasized in the open, nonhierarchical layouts of their offices.

Currently, there are a multitude of pavements in the market, each with different characteristics. When designing a public space, it is essential to ask the right questions regarding requirements and functions to determine the right material for the job. To begin: Where will the pavement be installed? (Will it be protected, exposed, wet, or damp?). What level of traffic will it experience? (Light, moderate, or high?). What type of traffic will it experience? (Pedestrians, bicycles, light vehicles, or heavy vehicles?). What other factors should be considered based on preexisting conditions?

From these questions, it is possible to draw a more precise and effective profile of the "abrasion resistance" of the pavement, an important factor to guarantee the durability and efficiency of the material. Then, the aesthetic, functional, economic, and sustainable factors may be added.

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​CODE - COmpetitions for DEsigners has launched the “Roversi Design Award”, a competition of ideas aiming to design spaces for people’s life, work and amusement in the industry 4.0 era of fluidity and dematerialization. A cash prize of €10,000 will be awarded to the winners, selected by an international jury panel including Frans van Vuure (UNStudio), Peter Pichler, Nicholas Bewick (AMDL Circle), Livia Tani (Ateliers Jean Nouvel), Marco Costanzi, and Massimo Iosa Ghini, among others.

The history of timber construction stretches back as far as the Neolithic period, or potentially even earlier, when humans first began using wood to build shelters from the elements. The appearance of the first polished stone tools, such as knives and axes, then made wood handling more efficient and precise, increasing the thickness of wood sections and their resistance. Over the decades, the rustic appearance of these early constructions became increasingly orthogonal and clean, as a result of standardization, mass production, and the emergence of new styles and aesthetics.

Today we are experiencing another seminal moment within the evolution of timber. Nourished and strengthened by technological advances, new prefabrication systems, and a series of processes that increase its sustainability, safety, and efficiency, timber structures are popping up in the skylines of cities and in turn, is reconnecting our interior spaces with nature through the warmth, texture, and beauty of wood. Where will this path lead us? Below, we review 7 trends that suggest this progress is only set to continue, increasing both the capabilities and height of timber buildings in the years to come.