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More than a year into this worldwide experiment of working from home, we have not yet landed on the perfect formula for the workforce being once again in the workspace. Furthermore, not only has the Working From Home (WFH) situation lasted longer than anticipated, it has embedded itself into the way we will work forevermore. As vaccines are rolled out, leaders of all types of organizations must now seriously consider how to handle the return of their employees to the physical office space.
Solar radiation is one of the most important criteria in architectural projects, as it impacts several decisions ranging from the orientation of the building on the site to the choice of windows and doors. Therefore, to ensure the quality of lighting and visual comfort in building interiors, it is crucial to study the sun path and the quantity of sunlight in each given space.
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Between 1945 and 1966, the Case Study Houses program, following the Weißenhof-siedlung exposition, commissioned a study of economic, easy-to-build houses. The study included the creation of 36 prototypes that were to be built leading up to post-war residential development. The initiative by John Entenza, editor of Arts & Architecture magazine, brought a team to Los Angeles that featured some of the biggest names in architecture at the time, including Richard Neutra, Charles & Ray Eames, Pierre Koenig, and Eero Saarinen, among others.
The program's experiment not only defined the modern home and set it apart from its predecessors, but it also pioneered new construction materials and methods in residential development that continue to influence international architecture to this day. Take a detailed look at some of the program's most emblematic work together with recommendations for facing contemporary challenges.
The ongoing pandemic has been a disruption to the everyday routines of billions around the world, as due to being confined to their households, the separation between work and rest has become extremely blurry, with people forced to rethink and reconfigure the layout of their personal spaces. Conversations have abounded on how to create flexible working spaces in a home environment, and if offices themselves are an outdated model that we should leave behind. A missing part of that conversation, however, is the impact that the pandemic has had on children, specifically primary-school level children, on their education - as inequalities are emphasized, some children learning with slow internet connection speeds, or struggling to have the space required to adequately complete educational activities.
LEGOs are universal world-building units and a popular gateway into architecture. Of course, you can build almost anything with them, cars, spaceships, you name it, but buildings of all kinds — from police-stations to castles — are some of the most popular subjects. What makes LEGOs so appealing to young, and not-so-young architects? What, specifically, makes them a good analogy for the design of buildings? In this episode, Stewart purchases a box of LEGOs and uses it as a springboard to talk about what he’s learned from the toy block system. From lessons on modularity and proportion, to grammar and resolution, to compositional categories of additive and subtractive, the video breaks down how these fundamental concepts apply to both LEGOs and to the history and design of architecture.
If your profession involves going into the office every day, then you’re probably familiar with this age-old question- is the office too hot, or is it too cold? While some colleagues may claim that the workplace feels like a sauna, you might see others who survive the daily grind hidden away under a blanket with a personal space heater keeping them company. The never-ending debate about the perfect temperature might only scratch the surface of many questions that designers and engineers have aimed to solve about the workplace, and they’re probably the aspects that you don’t consider on a daily basis. What about lighting- has a meeting room ever felt too bright, or too dimly lit that you felt uncomfortable?
On March 9, what would have been Luis Barragán's 119th birthday, we commemorate Mexico's most celebrated architect and discuss his winning of the 1980 Pritzker Prize.
Fred Kent, the founder of the nonprofit organization Project for Public Spaces, once stated that “If you plan cities for cars and traffic, you get cars and traffic. If you plan for people and places, you get people and places." It may sound obvious, nevertheless, our cities today are indeed undergoing a rapid transformation from a car-oriented society to a pedestrian-friendly community.
This article was originally published on Common Edge as "Joan K. Davidson and the Fight for New York."
As income inequality has widened in recent years, the role of philanthropy has been called into question. Is charitable giving by wealthy individuals and powerful corporations always a positive force, or is that connection to wealth and power an inevitable compromise? Whose agenda does philanthropic giving really benefit, the grantees or the granters? These are complicated questions. But truly enlightened giving is a transformative force. It can not only fund worthy causes but if properly timed can sow the seeds of social change.
The Media Architecture Biennale 20 (MAB20) will take place as an online event from June 28th to July 2nd, 2021. This edition will shift the focus on media architecture from the aesthetic spectacle to societal improvement. How can media architecture contribute to better cities, civic engagement and sustainable ecosystems? The event will close off with the MAB Awards, highlighting outstanding projects in this newly emerging field at the crossroads of architecture, urban planning, interaction design, art, and informatics.
We live in a tangled web of flows – of capital, information, technology, images, structures, in constant momentum dominating all aspects of our lives. The large-scale road infrastructures shown here are products of this powerful desire for movement, which for many years was also synonymous with development, as portrayed by the famous Goethean character Faust in his endless quest for a (false) sense of progress.
From these tangles of concrete and steel, at multiple levels and in different directions, emerges a geometrically organized chaos that tears the urban fabrics in a relentless effort to prioritize the flows with the fewest obstacles and the highest capacity possible.
Frank Lloyd Wright’s Price Tower is the famous American architect’s only realized high-rise building and one of his only extant vertically-oriented designs. Located in the plains of Bartlesville, Oklahoma and commissioned by the local oil and chemical firm H. C. Price Company, the mixed-use tower is significant not only for its singularity within Wright’s oeuvre, but because of its unique materials and structural design. Some of Wright’s innovations, which were novel in the mid-twentieth century, remain useful even today.
Focusing on the different typologies of houses, this week’s curated selection of Best Unbuilt Architecture highlights conceptual projects submitted by the ArchDaily Community. From urban developments to tiny homes, this article explores the topic of residential architecture and presents approaches from all over the world.
Featuring a cabin amidst the verdant forested region of northern Iran, a development in Georgia that offers an 80% recreational space to 20% housing ratio, and a project in Paris that re-questions our urban reality, and rethinks traditional forms of housing, this roundup tackles a multitude of scales. In addition, it underlines a collection of beach houses in Greece, Italy, Argentina, and Latvia each responding to a different landscape and topography. Other ideas underlined include the renovation of existing developments in Moscow, a residential-led transformation of a former factory in Manchester, and a family of blocks grouped around an elevated communal garden in the Netherlands.
Now recall the last time you meet a client. Preparing a whole bunch of presentation materials including renderings, diagrams, floor plans, elevation plans and section plans is simply not enough. The hard part starts when the client got stuck with one or two renderings and simply wouldn’t let go.
American 19th-century sanitation engineer George E. Waring, Jr. was a miasmaist. He believed in the miasma theory, which holds that toxic vapors traveled through damp soil, rotted vegetation, and pools of standing water. These toxic vapors were understood to emanate from the Earth and interact with the atmosphere and cause disease in American cities.
According to Catherine Seavitt Nordenson, ASLA, a professor of landscape architecture at the Bernard & Anne Spitzer School of Architecture at the City College of New York, Waring was a “marginal figure,” but he had interesting ideas about how to “modify the climate to improve health.” In a virtual lecture hosted by the Harvard Graduate School of Design, Seavitt Nordenson said Waring was incorrect about the mechanisms for spreading disease —he didn’t understand the concept of vectors, like mosquitoes— but his drainage and sanitation solutions were “surprisingly successful.” A year into the coronavirus pandemic, it’s worth revisiting Waring’s ideas about the connections between the Earth, atmosphere, disease — and the maintenance of public spaces.
Along with concerns about our environment, new movements, words, concepts, and terms related to these issues constantly emerge, which require us to always remain up to date. The word sustainability itself faced some resistance until it was incorporated into common vocabulary and used widely in the most diverse contexts. Currently, much discussion surrounds the terms circular economy, resilience, the 4 Rs, urban mining, and others. In addition, there are some sustainability-related movements that have been incorporated from activism in other fields, showing the fluidity of such issues. One such initiative is the 0 kilometer materials movement, which has been featured in manifestos and some projects, albeit timidly, in recent times.
This week we present a selection of 17 excellent images of interior courtyards. These spaces bring many advantages to a design such as increased natural light and improved ventilation conditions, while providing occupants with direct access to the outside and to nature. Below is a selection of images from prominent photographers such as Quang Dam, Fran Parente, and Pablo Blanco.
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When designing a space, architects across the board tout the importance, and even necessity, of incorporating natural light into interiors. This means taking measures to control the quantity of light being let in and its distribution throughout the space.
In the case of residential spaces, where privacy plays a larger role than in public spaces like offices, restaurants, and stores, opaque materials like screens, tinted glass, and other barriers are the go-tos for providing protection and privacy from the outside; however, the privacy that these methods provide often comes at the cost of the space's natural lighting, forcing designers to seek alternative materials that allow for both light and privacy.
The following text is excerpted from John S. Chase — The Chase Residence (Tower Books, 2020) by architect and University of Texas professor David Heymann and historian and Rice University lecturer Stephen Fox. Richly illustrated with archival materials and new drawings, the book is the first devoted to Chase, who was the first Black licensed architect in Texas. The study is divided into two parts, with Heymann examining the personal, social, and architectural significance of Chase’s own Houston house and Fox describing Chase’s architectural career.
This excerpt draws on Heymann’s analysis and highlights the first incarnation of the Chase Residence (Chase substantially altered its architecture in 1968). It places great emphasis on the house’s remarkable courtyard, a modernist innovation, and a singular statement about domestic living at the time. New section, elevation, and perspective drawings prepared for the book help illustrate the ingenuity of the house’s configuration. Finally, the excerpt was selected in part to honor Drucie (Rucker) Chase, who passed away in January of 2021.
Along the waters of Lago di Alserio, in Como, Italy is a contemporary private residence designed by architect Annalisa Mauri which contrasts the interlacing of sleek, sharp lines with the delicate beauty of the lake and the softly rolling hills of Brianza which surround it. The geography of the site has undoubtedly influenced the flow of the building, which is expressed through well-defined geometric spaces featuring large sliding glass windows and glass spandrels that offer seamless visual continuity between indoor and outdoor.
Simple in form but complex in substance, “What is Architecture?” remains an existential question for a lot of architecture students and young professionals. In an attempt to define this ever-changing interrogation and expose the different visions out there, the interview series: WIA – What is architecture? asks four, straightforward, questions to world-leading architectural designers and thinkers. Seeking to uncover their opinion on what architecture is and what it can do, these short videos reveal responses to “What is architecture? What can architecture do? What is your architectural position? and What is your design method?”.
ArchDaily has collaborated with WIA to release every week, 4 of these conversations, and to invite you to take on the challenge and answer these questions. The third article of the series presents the ideas and visions of Yona Friedman, Oana Bogdan, and Leo Van Broeck from Bogdan & Van Broeck, Ma Yansong from MAD Architects, and Alessandra Cianchetta from AWP Architecture.
The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.
A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.
This week David and Marina are joined by Alex Proba, Multi-Disciplinary Designer and Creative Director of Studio Proba to discuss her design process, finding her own style, the limitation and possibilities of a design style, blurring 2D and 3D works, spatial design, and much more. Enjoy!
This video explores how the settings and spaces in the first season of HBO’s Westworld contribute to the overall interpretation of the show. From the lawless town of Sweetwater, to the tightly controlled offices of Delos, Westworld uses architecture precisely to establish its intricate worlds. While the show is set within a theme park of the near future, books like Michael Sorkin’s Variation on a Theme Park argue that we are already treating the cities we live in — in real life — as theme parks. So, while Westworld shares a number of architectural strategies with places like Disneyland, it is also not too far away from places like Chicago, New York, or London. After all, it was the architect Charles Moore that declared Disneyland the most influential urban environment built after World War 2. Getting to the bottom of this rabbit hole includes lots of train rides and an introduction to Michel Foucault’s concept of heterotopia, which helps explain what happens when worlds collide.
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